AXPONA 2019

In front of the room sponsored by GoldenEar Technology and PrimaLuna USA, I saw tube maven Kevin Deal (above)—the latter company's Primary Dude—displaying the insides of a PrimaLuna amplifier. PR man extraordinaire Anthony Chiarella was sitting next to him saying, "Its built like a Fabergé egg." Which indeed it was.

On my way to AXPONA's Master Class Theater to catch Rob Robinson's seminar on current-mode phono preamplifiers, I was buttonholed by David Janszen. The Janszen name is synonymous with electrostatic drive-units—the midrange unit in the legendary Wilson WAMM was based on Janszen technology—and at AXPONA David was demonstrating prototype electrostatic headphones, the Lotus.

Celebrating 21 years of affordable Music Hall turntables, the irascible Roy Hall (right) was in fine form on AXPONA's opening day, offering show specials.

Vandersteen lovers, of which there are many, may stare in disbelief at these words, but AXPONA 2019 marks the first time that I truly got why so many people rave about Vandersteen's sound. At least I think I did. Even if I didn't fully get what other people get, I got enough to say, "Oh yeah, uh huh, that Vandersteen midrange is surely something worth writing home about." In fact, based on what I heard, I see why some people would prefer to cart up the whole thing and let it do the speaking.

"What the heck?" Behind the Master Class Area was a giant tan-colored hooded construction, looking like a giant Zamboni machine and labeled "Wynn Audio," with a viewing window at the front.

In room 504 at the 2019 AXPONA, Minnesota-based Bel Canto partnered with Danish company Audiovector to present a really good-sounding system with a small footprint.

Given that I had recently gushed over the pairing, at one of Definitive Audio of Seattle's Music Matters events, of Wilson Audio's Alexx speakers ($109,000/pair), Sub Sonic Subwoofers (two, at $37,500/each), and Watch Controllers (two, at $4000/each); D'Agostino Relentless monoblocks ($250,000/pair) and Progression monoblocks ($38,000/pair), plus Momentum phono stage ($28,000); a dCS and Clearaudio front end; and lots and lots of Transparent Reference XL cabling plus an HRS VXR-19213V-80 rack with two M3x base audio stands ($57,960 total), I didn't know if I would hear much of a difference from the AXPONA system put together by Michigan retailer Paragon Sight and Sound. If anything, I expected the level of sonic excellence to drop somewhat, because we were moving from a purpose-built, carefully treated store showroom to a far more challenging convention hall space.