AXPONA 2019

I had forgotten how dynamic Avantgarde's Uno XD speakers ($32,000/pair) could sound, coupled with a fine delicacy that was in evidence on an SACD track by Jenn Chapin (daughter of Harry Chapin), where Ms. Chapin was palpably placed in the center of the stage, with a double bass on the right and a baritone saxophone on the left. Electronics were all from Esoteric: the new Grandioso P1X SACD transport ($50,000) feeding DSD data to two of Esoteric's new Grandioso mono DACs ($50,000/pair), these all clocked from an Esoteric Grandioso Rubidium Master Clock ($26,000). The transport uses a new mechanism and the D/A processor a fully discrete DAC topology with 64-bit processing.

What a difference a change of venue and cabling makes. In the Nagra room at CES, the sound was silvery, glistening, open, and mesmerizing. Here, with smaller Kharma Elegance S7 loudspeakers ($18,000) and mid-priced copper-based Organic Reference cabling that uses a fiber dielectric, the sound was more toned down but no less compelling

The North American debut of the DeBaer Saphir turntable with Reference power supply ($57,000) and DeBaer 9" Onyx tonearm with VTA adjustment ($7000) and equally pricey Top Wing Suzaku (Red Sparrow) cartridge ($16,500) was the big news in a room that paired Rockport Technologies Cygnus loudspeakers ($62,500) and high-end Argento Audio FMR silver cabling with a full line of CH Precision electronics. Focusing solely on vinyl reproduction during my time in the room, we began with one of the most overplayed audiophile classical demo tracks, the Reference Recordings version of Rimsky-Korsakov's unquestionably exciting but ultimately tedious Dance of the Tumblers. At least it was only the first time I'd heard it at AXPONA.

The new (world premiere) Laufer Teknik The Note loudspeakers ($29,950/pair) are very hard to photograph because they are very thin line arrays comprised of 48 little metal drivers each in a 87"-tall, 2.5" deep, 2"-wide aluminum enclosure that's heated—it is warm to the touch. They disappeared into space while I listened. Their soundstage went out through the wall behind them while the $1600 SVS SP-4000 subwoofer pushed tight bass down through the floor to the basement. Bach's Toccata and Fugue in D minor rattled the walls, but I couldn't "see" the speakers. Think: Skinny speakers make giant sound.

The first of the two ELAC rooms I visited featured the Navis ARF-51 powered tower speaker ($4000/pair). This design from Andrew Jones, shown in my photo, features a coaxial tweeter/midrange unit and three woofers. Level controls allow the balance to be optimized—up to ±1dB for the coaxial unit, up to ±4dB for the woofers.

Distributor Axiss Audio's main system, built around Air Tight's ATM-3211 211-tube based monoblocks ($72,000/pair), premiere ATM-2Plus KT-88-based stereo power amplifier ($TBD), ATC-5 tube-based preamplifier with phono equalizer ($9500), ATH-3 step-up transformer ($3000), premiere PC-1 Coda cartridge ($8500), and Opus cartridge ($15,000) took pride of place in an all-analog system whose bottom line was tube warmth for days.

In the inner sanctum, as it were, of distributor Axiss Audio, I discovered what I believe were three premieres: Soulution's 525 preamp ($26,500) and 311 power amp ($12,000), and Piega 511 speakers ($15,000). In a brief listen, this system's notably drier, straight ahead, and detailed presentation was distinguished by a smooth midrange core . . .