Analog Corner

Are you old enough to remember when the wires connecting speakers to even the most expensive and sophisticated electronics were 16-gauge, multistrand lamp cord, and the terminals on speakers and amplifiers were just little screws? Sometimes those screws wouldn't even secure all of the wires' strands, but as long as loose strands from one screw didn't touch loose strands from the other, it was good enough . . . and back against the wall went your bookshelf speakers.

Dr. Feickert Analogue's top-of-the line turntable, the Firebird ($12,500), is a generously sized record player designed to easily accommodate two 12" tonearms. Its three brushless, three-phase DC motors, arranged around the platter in an equilateral triangle, are connected to a proprietary controller in a phase-locked loop (PLL); according to the Firebird's designer, Dr. Christian Feickert, a reference signal from just one of the motors drives all three—thus one motor is the master while the other two are slaves. (Man, today that is politically incorrect, however descriptively accurate.)

Cavitation revolutionized record cleaning more than a decade ago, when Reiner Gläss's Audiodesksysteme introduced its original fully automatic machine. Mr. Gläss's innovative machine, which automatically spun the record in ultrasonically cavitated water, then dried it with fans, at first was plagued with reliability issues, and because it is sealed, it was not easy to repair.

I recently spent a week traveling—it was good to get out of the basement! First up, toward the end of May, was an event at the Audio Alternative, in Fort Collins, Colorado. Owner Rick Duplisea is a vinyl fanatic and Linnie whose store—actually, his sprawling home—is packed with gear and LPs. His record collection beats mine.

The late Jonathan Tinn of Blue Light Audio, importer of darTZeel electronics and a partner in Playback Designs with DSD expert Andreas Koch, loved vinyl. He approached Wave Kinetics' Matt Schuster and proposed that they together produce a turntable. Matt Schuster came up with the Wave Kinetics NVS Reference turntable ($45,000).

Their proven success with phono preamps has encouraged Simaudio to now go way upscale: The Moon Evolution 810LP ($12,000) is the company's no-holds-barred entrant in the premium end of the market, and the first phono preamp in its Evolution line of high-end models.

Analogplanet.com covered new products exhibited at the 2012 Rocky Mountain Audio Fest in Denver last October (Stereophile's full coverage can be found here); in this month's column I'll comment on the show generally, and specifically on two seminars.