Analog Corner

The quest for vinyl quiet seems, at best, quixotic. By "vinyl quiet" I don't mean "quiet vinyl," which we now reliably get from pressing plants like QRP, RTI, Pallas, and a few others. I'm referring to makes of phono preamplifiers who set as a primary design goal electronic "quiet," ie, an absence or minimum of electronic noise. A stylus coursing through the groove of even the quietest LP still produces a considerable amount of noise.

Though clearly built more for performance than for looks, the Thales TTT-Compact ($13,200), designed and built in Switzerland by Micha Huber, ranks among a handful of today's most elegant new turntables. Like the Spiral Groove SG 1.1 or the AMG Viella 12, the TTC-C, true to its name, is compact and self-contained, with its belt and built-in motor hidden under the platter.

That Huber was once a watchmaker is evident in every aspect of the densely packed TTT-Compact, which measures approximately 18" wide by 3.5" high by 12" deep. From the packaging and instructions to its muted, satiny finish, the TTC-Compact exudes sophistication of design and execution.

On analogplanet.com you'll find coverage of my visit in November 2013 to the 10th annual Manila Hi-Fi Show, which took place the weekend of the devastating typhoon Haiyan (Filipinos call it Yolanda). Because the people I met there are such big Stereophile fans, I wanted to be sure to give them a shout-out in this column, too.

Despite the weather, which prevented audiophiles living on other islands of the archipelago from flying in for the event, at least 2000 managed to attend. These are passionate, enthusiastic audiophiles—and the high proportion of young people, particularly among the vinyl buyers, was encouraging.

The greeting I received throughout the show was beyond my most vivid egomaniacal daydreams. I was treated so well that I don't know how to express my gratitude, other than to just say "Thanks"—and get back to work.

Vinyl sales in America rose 30% in 2013, according to Nielsen SoundScan, which keeps a tally of recorded media sales. Because Nielsen SoundScan only skims the surface of the record retailing picture, missing considerable "nook and cranny" sales, the real number is probably far greater. The SoundScan numbers also omit sales of used vinyl, which are considerable.

VPI Industries' Harry Weisfeld has tried, built, and marketed almost every known way of spinning a platter. He began in the early 1980s, before many recent turntable enthusiasts were born, with the belt-driven HW-19, and since then has produced rim-driven models, and 'tables with motors outboard or inboard, one or three pulleys, one or three belts, and platters of acrylic or aluminum alloy. But while Weisfeld has owned quite a few direct-drive 'tables, he'd never come up with his own—until now.

At the 2013 High End Show, in Munich, a tonearm designer displayed a pivoting tangential tracker. A nearly invisible length of monofilament wrapped around the arm's perimeter controlled the pivoting headshell of the box-girder–like arm.

It may very well have worked as promised, but was it practical? And with so many tiny moving parts, would it sound any good? I don't know—it was a silent display—and inquisitive attendees kept bumping the difficult-to-see monofilament, dislodging it from its track.

The odds weren't good that this contraption, however well intended, would ever get past the prototype stage, though I was going to look for it at the 2014 Munich show, in May. Sometimes, designers obsessed with one particular performance parameter lose sight of the forest for the trees.

The designer of ViV Lab's Rigid Float tonearm, Koichiro Akimoto, also had in mind an unusual design goal, based on his belief that the geometry of pivoted tonearms, as we know it, is wrong.

Other than being well built and high priced ($15,000, $22,000, $60,000), these three phono preamps have very little in common, in design or in sound. One has vacuum tubes, including a direct-heated 5U4G rectifier tube (the Phasemation). Two are solid-state (the PBN and Qualia). Two feature separate chassis for the left and right channels (the Qualia and Phasemation). All three have outboard power supplies. Two come from Japan (the Qualia and Phasemation), one is made in the US (PBN). All three are elegantly built, inside and out. Two are physically attractive, one is lab-grade butt ugly. One has a host of convenience features, including various equalization curves and three inputs (Phasemation). One offers no adjustability whatsoever (Qualia). One has two gain settings and multiple loading options (PBN). Two are designed to be used only with moving-coil cartridges, while the third (Phasemation) can also accommodate moving-magnets. One is fully balanced and dual- differential (PBN), two are not.