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Stereophile Staff  |  Sep 24, 2000  |  0 comments
Choice is good, or so would go the common wisdom. But as John Atkinson points out in "The Crazy You Get from So Much Choice," when applied to diapers and DVD-Audio, choice can quickly develop into a nightmare in which comsumers simply walk away from the shelves, unable to make a decision. Will DVD-Audio suffer such a fate?
Stereophile Staff  |  Oct 01, 2000  |  0 comments
Every once in a while, John Atkinson comes across a speaker that redefines the boundaries of what is possible with the moving-coil loudspeaker approach established 60 years ago by Rice and Kellogg. JA feels that the B&W John Bowers Silver Signature loudspeaker is just such a product, and puts it through its paces to reveal its significant virtues and minor faults.
Stereophile Staff  |  Oct 08, 2000  |  0 comments
Slap echo got you in a flutter? Jonathan Scull writes, in "Fine Tunes" #27, that "last month I delved into avoiding reflective, parallel-wall slap echoes from ruining your audiophile day. But I've since learned of a perfectly useful workaround that's much less costly and involved than horsing around the Sheetrock." George Cardas lends a hand.
Stereophile Staff  |  Oct 15, 2000  |  0 comments
Kalman Rubinson gives a long listen to the 1998 Stereophile Editor's Choice winner, the Z-Systems rdp-1 digital preamplifier. Like many audiophiles, Kal eschewed tone controls in favor of the purist approach—until he met the rdp-1. As he puts it: "Now, the time has come for DSP to give the audiophile some powerful tools to tailor frequency response and to correct faults in the recording."
Stereophile Staff  |  Oct 22, 2000  |  0 comments
John Atkinson shuffles his feet a little and finally mutters, " . . . Convergence." He laments, "I swore I wasn't going to use the 'C' word, but when you're faced with writing about a product that smashes the boundaries between component categories as completely as the CardDeluxe does, you have little choice." JA reviews the Digital Audio Labs CardDeluxe PC soundcard and answers the pointed question: "But it's only a PC soundcard. What's the big deal?"
Stereophile Staff  |  Oct 29, 2000  |  0 comments
John Atkinson points out that "a much-touted benefit of DVD-Audio and Super Audio CD is that these new media can store digital audio data extending one or more octaves higher in frequency response than the capabilities of the CD." But is this a difference that makes a difference? Atkinson examines the mounting pile of data in What's Going On Up There? Is there recorded life above 20k? The answer may surprise you.
Stereophile Staff  |  Nov 05, 2000  |  0 comments
Chip Stern writes, "There is something enduring and reassuring in the classic audio verities." The Vandersteen 2Ce Signature loudspeaker is certainly considered one of those timeless classics. But how does a speaker released in its first incarnation more than 20 years ago hold up by today's standards? Stern lends his modern ear to the task and includes notes from Richard Vandersteen himself.
Stereophile Staff  |  Nov 12, 2000  |  0 comments
Larry Greenhill writes: "I can't resist reading about a company's flagship loudspeaker—the price-no-object product that embodies the most advanced ideas from a company's research and design department . . . The cost? Don't ask." Six years in development, the Dynaudio Evidence loudspeaker is just such a cutting-edge product. So, Greenhill explains, "when the opportunity arose to review the Evidence, the flagship speaker from Danish company Dynaudio, I eagerly agreed." His verdict awaits.
Stereophile Staff  |  Nov 19, 2000  |  0 comments
Describing the Audio Research Reference Two preamplifier, Michael Fremer writes "Audio Research's first 21st-century, audiophile-quality line-stage preamplifier combines retro-tech vacuum-tube amplification and power-supply circuitry with innovative, remote-controlled gain, balance, tape monitoring, and signal routing. The price is also 21st-century: $9995." Worth every penny? Fremer offers his assessment.
Stereophile Staff  |  Nov 26, 2000  |  0 comments
First up, from the November, 2000 issue, is the Hovland HP-100 preamplifier. Michael Fremer writes, "While the HP-100 is Hovland's first publicly traded audio component, it is . . . the fulfillment of what's been Robert Hovland's goal all along: to bring such a product to market. Or so I was told. It's just taken 'some time to get it all right.' Given the company's history of more than 20 years, that sounds like an understatement." Fremer offers his sonic assessment.
Stereophile Staff  |  Dec 03, 2000  |  0 comments
First up is Stereophile's 2000 Products of the Year. This is an important resource for readers, and Stereophile editor John Atkinson has once again decided to post this oft-requested article in our online archives in the same month the original appears in the paper edition.
Stereophile Staff  |  Dec 10, 2000  |  0 comments
Robert Deutsch asks, "How can you tell an audiophile from a normal person?" RD's answer involves the name of the Vienna Acoustics Mahler loudspeaker, which Deutsch reviewed for the April 2000 issue of Stereophile. Deutsch writes, "I find Gustav Mahler's music to be on the ponderous side, but when I heard the Vienna Acoustics Mahlers at HI-FI '99, I was sufficiently impressed that I began the process of getting a pair for review." The results of his careful listening are not ponderous at all.
Stereophile Staff  |  Dec 17, 2000  |  0 comments
Record 10 CDs worth of music in one weekend? John Atkinson writes: "I blanched. This was an enormous task: 32 sonatas; 103 individual movements; more than 11 hours of music—11 hours, 26 minutes, and 25 seconds, as it turned out." How to record Canadian pianist Robert Silverman performing Ludwig van Beethoven's 32 Piano Sonatas in such a short time? JA explains the revolutionary process in detail.
Stereophile Staff  |  Dec 24, 2000  |  0 comments
DVD-Audio has been brewing for a couple of years now, finally going public with the Technics DVD-A10 DVD-Audio player. Jonathan Scull got his eager hands on this groundbreaking machine last September, only to find that evaluating a new format is a complicated affair. Will this player, and DVD-Audio in general, soothe the audiophile heart? Scull takes a listen and spills the bits.
Stereophile Staff  |  Dec 31, 2000  |  0 comments
Kalman Rubinson didn't expect to complete a full review of the Revel Ultima Studio loudspeaker, planning instead to investigate only the company's F30 (also available in the online archives). But after the Studios ended up spending several months in his home, there was only one honorable option available: 'fess up and submit his true feelings.

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