The Focal Diva Utopia loudspeaker made its US debut in New York City this past week, showcasing the combined expertise of French and English partners Focal and Naim in their first fully active, wireless, and connected loudspeaker.
Focal and Naim Audio CEO Cedrick Boutonet and group marketing manager Réjean Bedel were on hand to introduce the Diva Utopia at Manhattan’s Par Excellence store located in NYC’s fashionable East Village and the Bowery, where the city’s derelict community once held sway, now replaced by hip cafés and bars.
Starting in May, 2026, High End Munich is morphing into High End Vienna, with the first Vienna High End scheduled for May 28-31, 2026. The surprise move from Munich’s MOC to Vienna’s ACV (Austria Center Vienna) follows what is now understood as a trial run that drew 66 companies and approximately 4000 visitors to Vienna’s ACV in November 18-19, 2023.
At the end of 2020, the Federal Trade Commission proposed eliminating what had come to be known as the "Amplifier Rule," which had been in effect since 1974. Then-FTC commissioner Christine S. Wilson wrote, "Freeing businesses from unnecessarily prescriptive requirements benefits consumers."
To me, that made no sense. Far from imposing "unnecessarily prescriptive requirements" on amplifier manufacturers, the Amplifier Rule had long forced manufacturers to clean up their acts.
As I wrote in an article published on the Stereophile website in 2021, in the hi-fi boom that began in the 1960s, the Institute of High Fidelity became alarmed by amplifier manufacturers exaggerating their products' output power. Such mystical numbers as "Peak Power" and "Music Power" were used willy-nilly to produce sales-oriented ratings with little to do with reality.
On August 29, 2024, Wm. R. Kennedy Buhler, aka Wil Buhler, informed Krell dealers, distributors, and customers that Krell is well on the path to reopening.
Jon Iverson (right) shares a Big Sur sunset with John Atkinson in 2017. (Photo by Corrina Jones.)
After 27 years, yesterday was the final day AVTech's webmaster Jon Iverson was responsible for overseeing the company's websites, including this one. Now in his mid-60s, Jon felt it was time for him to retire while he still had the energy to explore his other interests.
The Warsaw show's biggest site really is a stadium. (Photos by Jason Victor Serinus.)
At the risk of writing hyperbole, I will state that Audio Video 2023, held October 2729, 2023, was unlike any other audio show I've attended. At no other audio show have I encountered so many young people, so many women, and so many brands unknown in the United States. Not even in Munich have I encountered crowds as dense as those that mobbed the show's biggest site, the National Stadium of Poland, PGE Narodowy, on Saturday. A press badge counts for nothing when you're 11" short of 6'3", attempting to see far enough into a huge room to spy a seat. Any seat.
Happily, the majority of attendees at the Warsaw Show did not come to yap away about the stock market or the speaker they built three decades ago. People came to listen, and they respected others who came to listen. Even in the largest rooms, with crowds of some 150 people, it was possible to hear music and learn from presenters' unamplified raps.
Voxativ's Ines Adler and Christopher Cunningham brought the full Voxativ experience from Berlin to Rockville, including the new and revised Voxativ Ampeggio back-loaded horn with AC-1.9 full-range driver loudspeaker ($12,900/pair).
It was hard to find focus in Victor Kong's room. Between the nearly invisible AER BD3B/650mm full-range open-baffle speakers ($9800/pair) and the various amps on static display—Sun Valley SV-1616D 300B integrated amp ($2450), or the Elekit TU-8900 ($3050) or Elekit TU-8850 ($1850) power amps—my palms felt sweaty, my head, dizzy. Is this SET-amp lover’s heaven?
Japan’s Technical Audio Devices Laboratories, Inc. (TAD) brought several products to CAF, including the US debut of the TAD Grand Evolution One (GE1) floor-standing speakers ($65,000/pair) and new TAD C1000 preamplifier ($24,950).
Dan Wright of ModWright Instruments Inc., partnered with Cardas Audio, Acora Acoustics, and Woodsong Audio to bring his new compact, affordable 9-series products, which are "based on our Reference Designs," Wright told me in a preshow email.
Fast-talking, smooth-walking, Brit-expat Robin Wyatt is one of the best setup men in the game. Showcasing unique gear that he operates to perfection, his rooms typically capture best-in-show performance.
Walter Swanbon of Fidelis AV Distribution brought not only the Harbeth loudspeakers and Pure Fidelity turntable I raved about in recent Stereophile reviews, but also a couple brands I was unaware of until now. Walter always gets great room sound, so I was looking forward to a discovery.
Command AV's Jeff Fox was running two rigs at CAF, including a large scale assemblage in the Democracy suite, where the sound matched the beauty of the hi-fi.
Jeff's setup included the day-glow red J.Sikora Standard MAX Special Editon turntable ($19,995) and J.Sikora KV MAX 12" Tonearm ($14,500) mounted with an Aidas Mammoth Gold Cartridge ($8650). From thence the signal ran to a Doshi Audio Evolution phono stage ($20,995). Digital front-end duties were handled by an Aurender N30SA server ($25,000), a Berkeley Audio Design Alpha DAC Series 3 ($28,000), and a Berkeley Audio Design Alpha USB Series 2 digital interface ($2495).
Nexus Audio Technologies' Walter Schofield presented a rig consisting of the VPI Avenger Direct turntable with Fatboy tonearm ($36,000), VPI Shyla cartridge ($2500), and Primare R35 MM/MC phono preamp ($2000); the 432 EVO Master Music Server with Roon core endpoint ($18,000); the Primare PRE35 Prisma DM36 streaming preamplifier featuring the new DM36 advanced DAC module with MQA processing ($5250); and two Primare A35.2 stereo amplifiers ($3900 each) bridged to mono. Walter also presented the Stenheim Alumine Two.five Loudspeakers ($23,500/pair) in their North American debut, a full loom of interconnects, power cables, and speaker wire by Anticables, and a Pangea Audio Vulcan Five Shelf audio rack ($250).