The Greek myth of Odysseus has always been a favorite of mine. For an audiophile looking for a CD transcription system under $2500, it seems to be an especially appropriate metaphor. Almost all the units I've heard since CD's inception fall into one of two camps: the Sirens or the Rocks.
For those of you not up on your Greek mythology, the Sirens were the archetypal seductresses whose sweet songs lured sailors to drive their ships upon the rocks. Siren CD players are those that soften and sweeten the sound. Their primary purpose is to seduce, to give a false sense of comfort to their victims; their fidelity to the truth is secondary to their desire to elicit a positive emotional reaction.
This story originally appeared at InnerFidelity.com
Nelson Pass's Lab has produced an impeccable headphone amplifier with more than enough power, that's quiet, solid, and very clean. Several other reviewers have reflected on this excellent amplifier, but I want to weigh in with my unique sonic perspective and also measurements of its performance.
Recording of October 1972: Lincoln Mayorga & Distinguished Colleagues Vol.II
Apr 03, 2018First Published:Oct 01, 1972
Lincoln Mayorga: Lincoln Mayorga & Distinguished Colleagues Vol.II
Lincoln Mayorga,
arranger, harpsichord, piano.
Lincoln Mayorga,
Doug Sax, prods.; Bill Schnee,
eng.; Sherwood Sax,
design engineer.
Sheffield Lab S-10 (LP).
Ever wonder just how much sound quality is lost by recording stuff on tape before making a disc? Here's your answer. This program of soft rock and cool jazz arrangements was recorded straight from studio to disc, and the sound is incredible! Suddenly, a veil that we never realized was there has been lifted, and we had the feeling we were listening to a direct-wire transmission rather than to a recording. We're not at all sure we will ever feel quite the same again about any. other recording, such is the dramatic difference in transparency and cleanness.
I find quite appealing the image invoked by Museatex to describe its Real Time Ripple Effect (RTRE) loudspeaker line: a stone rippling the surface of a "still pond on a warm summer afternoon." Replace the stone with a voice-coil attached to the center of a stretched Mylar diaphragm and you begin to get a glimpse of the RTRE technology's conceptual beauty and promise. The idea of cohesively covering at least the midrange and treble with a single driver, without crossover filters, quickens my audio pulse.
There is a particular art that many Americans have mastered, involving the collective lamentation of the unwelcoming nature of the French towards American touristswhether this has been experienced firsthand or not is irrelevantcoupled with inexplicable, unwavering desire for all that the French stand for. The art, the wine, the cheese, the architecture, the haute coutureit is all of these, yes, but it is (I believe) the all-encompassing French vibe that we are drawn to.
It was all this that summoned me to France for a personal getaway last November, during which I snuck in a brief day trip to the factory of renowned audio giant Focal. Located in Saint-Étienne, a city in east-central France, Focal's headquartersor self-described "undercover facility, production site"is no more than a couple hours from Paris by train.
Audiophile Bonanza: Melnikov's Four Pieces Four Pianos
Apr 01, 2018
It is doubtful that pianist Alexander Melnikov had audiophiles in mind when he decided to record great works by Schubert, Chopin, Liszt, and Stravinsky on pianos the composers were accustomed to hearing and playing at the time of composition. Melnikov is, after all, an early music specialist who, like András Schiff, has a number of impeccably restored historic instruments in his personal collection. Nonetheless, given that Harmonia Mundi has recorded him in high resolution (24/96), seemingly without compression, in the fine acoustic of Teldex Studio Berlin, and that each instrument has a sound and dynamic range distinctly its own, the recording is an audiophile must-have.