Decca Mark V phono cartridge Manufacturer's Comment

Thu, 06/08/2017

Decca Mark V phono cartridge Page 2

Thu, 06/08/2017

Decca Mark V phono cartridge

The Decca Mark V is the latest version of that English firm's unique "tip-sensing" stereo-matrix-ing pickups. The "matrixing" apellation refers to the fact that the Decca pickups do not use 45°–45° sensing coils, but use instead a combination of vertical and lateral-sensing coils. There is a single coil for lateral sensing, with its pole pieces brought down next to the tip. This is the tip-sensing feature, whose major attribute is that the stylus motions don't have to be conveyed along the length of an armature before reaching the transducing pole pieces. Thus there is virtually no possibility of the stylus vibrations being modified through flexing of the armature prior to their transduction into audio signals.
Wed, 05/01/1974

Denon DL-103 phono cartridge Specifications

Thu, 06/08/2017

COMMENTS
Glotz's picture

as early as '75! Wow.

I was just wondering what the magic on that archaic, little beast was all about. I can guess now. I am also assuming impact and vivid midrange rule the day as well. Prolly what the Zu does so well on steroids.

Hmm... I assume a LOT.

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Denon DL-103 phono cartridge

This low-output moving-coil cartridge can be fitted with different styli. The basic DL-103 has a 0.5-mil spherical tip, the DL-103S a Shibata tip. As of the spring of 1975, the '103S is being imported by American Audioport, Inc., in Columbia, MO. the '103 is being brought in directly from Japan by a few dealers. Our '103 was loaned by Music & Sound of California, the '103S came from Audioport.

They are not too similar in sound. The DL-103S is incredibly clean-tracking, with a light, airy high end, a subtle zizz on string tone, and a very slightly withdrawn quality similar to the sound of the Supex 900E, but not as overly rich-sounding as the Supex.

Mon, 09/01/1975

Jana Finishes Up Day 2 at the LA Show

One of my greatest personal discoveries at the LA Audio Show this past weekend was that I absolutely love Harbeth speakers. I adored every system I heard them in. In the Gene Rubin Audio/Fidelis Distribution room, there was a beautiful pair of Harbeth Monitor 30.1 two-way speakers ($5495/pair), driven by an LFD NCSE Mk.II Plus integrated amplifier ($6795), with the source being an Acoustic Signature Challenger Mk.III turntable ($4995) with an Acoustic Signature TA 2000 9" tonearm ($2395) and a DynaVector 20X2 cartridge ($995), through an LFD LE/SE phonostage ($1790).
Thu, 06/08/2017

Multiple Goodies as Jason's Second Day Ends

Having visited the Aurum Cantus loudspeaker factory in China in 2009, and experienced every stereotype of shoddy Chinese manufacturing practices destroyed by what, to these eyes, were meticulous production practices, keen concerns for worker health and safety, and comprehensive testing, I am always delighted when Roger DuNaier of Audiophile Direct brings Aurum Cantus speakers to shows. Here, the Aurum Cantus V30M 2 stand-mount with aluminum-ribbon tweeter ($2600/pair) joined the Wells Audio Majestic 150Wpc integrated amplifier with phonostage ($14,000), Sound Science Music Vault Diamond music server ($4995), Benchmark DAC2 DX DAC ($1995), and assorted Dana Cable products to produce "the kind of sound that makes you happy."
Thu, 06/08/2017

Jana Starts Her Second Day at the LA Show

"So how did it sound?" they like to ask as I'm walking out. If I enjoyed the sound, I'll be honest. But what if I didn't?
Wed, 06/07/2017

Dealer Events in Chicago and Phoenix Saturday

Saturday June 10 at 3pm, Kyomi Audio (4454 W Berteau Avenue, Chicago, IL) is having a Jadis event while from 1–6pm, Esoteric Audio (111 W. Monroe Street, Suite 100, Phoenix, AZ 85003) is holding an event featuring the Moon by Simaudio 888 Mono power amplifiers, and a surprise from Grand Prix Audio.
Wed, 06/07/2017

Mid-Show Discoveries Buoy Serinus

Grand Prix Audio, whose attractive isolation racks, amp stands, turntables and other products featured prominently in multiple rooms at LAAS, debuted their less expensive Grand Prix Audio Parabolica turntable ($16,500). Here shown with TriPlanar 2SE tonearm ($7500) and Lyra Etna cartridge ($8995), the Parabolica rested on a Grand Prix Formula shelf upgrade ($2495) to the 4-shelf Monaco Modular isolation system ($10,250) that was supported by Apex Feet with levelers ($1320). I was told by the company's Jesse Luna that the Grand Prix Parabolica, which is based on the Monaco 2.0 turntable ($37,500), has a direct-drive system with factory-sealed hydrodynamic bearing that never needs servicing.
Wed, 06/07/2017

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