Phil Brett

Phil Brett  |  Jan 06, 2021  |  3 comments
I remember when I first heard that David Bowie had died. I was half-listening to the radio as I prepared for work. I was stunned. I just looked at my partner. To my surprise, a tear ran down my cheek. I had always been rather sniffy about people who got emotional when famous people died, people they had never met, who had never heard of them, who had lived lives of wealth.
Anne E. Johnson, Phil Brett  |  Dec 04, 2020  |  1 comments
Saunder Jurriaans: Beasts, Tricky: Fall to Pieces and Doves: The Universal Want.
Phil Brett, Anne E. Johnson, Dan Ouellette  |  Oct 30, 2020  |  0 comments
Fontaines D.C.: A Hero's Death, Paul Weller: On Sunset, Jenny O.: New Truth and Joan Osborne: Trouble and Strife.
Phil Brett  |  Mar 12, 2020  |  22 comments
Few would have predicted that the Sex Pistols' first gig—in November 1975, at the Saint Martin's School of Art in central London—would be the start of an explosion of music. Not many even knew it was happening. That soon changed. Punk would create a space that other bands rushed to fill. Inspired by the DIY ethos and the rejection of the notion that pop music had to be a 30-minute conceptual track on the lives of elves, punk was just grab an instrument and form a band.
Phil Brett  |  Dec 06, 2019  |  12 comments
It's not just the gray hairs or the expanding waistline that suggest one is getting old: it's also when the albums you love so much, and so vividly remember hearing for the first time, have become a part of the rock heritage industry. So it is with London Calling by the Clash, which celebrates its 40th birthday in December 2019.
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