Fyne Audio F301 loudspeaker

Fyne Audio F301 loudspeaker

Located outside Glasgow, in a geographical area that's also home to Linn Products and Tannoy Ltd.—and also near the storied whisky distilleries of Aberfeldy and Blair Atholl—Fyne Audio got off to a fast start. A mere three years after the company's 2017 founding, Fyne already has distribution deals in 50 countries and offers 24 products in seven series.

AXPONA Livestream Friday!

AXPONA Livestream Friday!

AXPONA, the largest high-end audio event in North America, has rescheduled from April to August for 2020, but you can get a sneak peek at the new products audio manufacturers have in store by watching the show's Facebook Live event this Friday, April 17 starting at 10am Central Time—the day AXPONA 2020 was originally scheduled to open at the Renaissance Schaumburg Hotel and Convention Center in Chicago, IL.

Going Dutch (& Dutch): a Conversation with Martijn Mensink

Going Dutch (& Dutch): a Conversation with Martijn Mensink

In his review of the three-way, active Dutch & Dutch 8c loudspeaker in the August 2019 issue of Stereophile, Kalman Rubinson concluded that "The D&D 8c demonstrates that active, DSP-empowered speakers are the future." I was equally impressed by the 8c's measured performance—a superbly flat on-axis response and an unmatched control of dispersion over the entire audioband—and asked to borrow a pair so I could experience the speakers in my own listening room.

Revinylization #4: Sundazed Music/Modern Harmonic and Speakers Corner

Revinylization #4: Sundazed Music/Modern Harmonic and Speakers Corner

Singer/actress Nancy Priddy's sole commercial recording, a 1968 album titled You've Come This Way Before—originally issued on Dot Records and now reissued by Sundazed Music/Modern Harmonic (Dot/Modern Harmonic MH-8044)—is a period piece. The arrangements, in which strings, flutes, Herb Alpert–esque trumpets, a harpsichord, a Vox Continental organ, and New Christy Minstrel–style backing singers all appear, are somewhat dated. (Indeed, the opening bars of the title song sound like the sort of cheesy electric pop that the producers of This American Life use as incidental music, apparently to express their limitless stockpiles of irony.) And some of Priddy's lyrics make the listener thankful for her poor enunciation.
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