The death of KMET in Los Angeles was a turning point in my young father's life. I was 6 years old when it signed off permanently, ending commercial viability of the progressive, freeform rock format on L.A.'s FM dial.
It's also one of my earliest memories: Windows down and heater up on a cloudy February morning, sitting backseat in an Arby's parking lot before kindergarten, the sound of heresy on the airwaves. Its replacement was Smooth Jazz. Wemy father and my 6-year-old selfhated it.
When Editor Jim Austin asked me to review the new Rogue Audio DragoN monoblock amplifier, my first thought was, "Isn't that Herb's beat?"
The DragoN monoblock is the latest amplifier from Rogue Audio's Mark O'Brien. The DragoN is a hybrid of tubes and class-D, using Hypex's class-D NCore module in the output stage. Hence the big N in the name of the product.
At least I didn't get arrested is a helluva way to begin a story, but then I never expected the FBI to question me about my online record shopping, viewing it as cover for potentially "Conspiring to Provide Material Support" to an international terrorist organization. "We need some information from you," the email said. "We've also temporarily limited certain features in your PayPal account."
In March 2003, as news networks broadcast images of American tanks racing north toward Baghdad, my infantry platoon dug shallow foxholes in southern Iraq. We were part of a defensive perimeter guarding FARP Exxon, a helicopter refueling point for the Army's 101st Airborne Division.
I met Art Dudley twice, and in both instances, he was exceedingly humble and gracious with his time. The first time, I thanked him for hosting the Virtues of Vintage panel at DC's Capital Audiofest, just moments after he was verbally accosted by an unwell man seated in front of mesomething about audio-journalism lingo and abstract phrases like "midrange bloom."