Cary Audio and Fyne Audio: Where Clarity Took Center Stage
May 31, 2025
Cary Audio’s Billy Wright, with his characteristic Southern charm, introduced a pair of new offerings at High End Munich: the Cary Audio SLP-300 preamplifier and the Cary Audio DMS-300A streaming integrated. Prices are yet to be announced.
Over three years ago, when I reviewed Accustic Arts’s AMP V stereo power amplifier, I called it "the most intelligently designed hunk I’ve ever put my hands on, and one of the finest and most musically satisfying amplifiers to ever enter my system." I wish it were still here so I could reevaluate it with my current system, which has become exponentially more revealing.
A Major Stand from Norway: Electrocompaniet Electronics and Ø Audio Speakers
May 31, 2025
You gotta love press releases. “This May in Munich, history won’t just be written—it will be heard.” Thus opened the invitation to a joint press conference of “two Norwegian powerhouses” whose system “doesn’t whisper innovation—it roars it.”
Constellation's Big Switch: Smaller, Smarter Power
May 30, 2025
The big news in the Constellation room was not the Revelation 2 Series, complete with its special Constellation Switch-Mode Power Supply (C-SMPS)—we’ve reported on it previously, including at AXPONA 2025. Rather, it was the chance to glimpse prototypes of the higher-level Performance 2 stereo amplifier and preamplifier, both due later this year.
It wasn't long ago that bottom-shelf DACs had this dry, gray, punchy, grainy sound, emerging from a weird mechanical clarity. Their sound reminded me of cheap whisky. The ones that didn't sound like $1 shots replaced the dry grain with some blurry gel. No vitality. No subtle contrasts. No nuance. No air. No atmospherics, no reverberance, and nothing I would call transparency.
Digital's rapidly evolving technology made the next wave of DACs sound strikingly clear and quiet, with some touchy-feely hints of wetness to suggest a more natural transparency. Unfortunately, most of these newfangled wet DACs sounded like distilled water tastes.
For me, digital transparency didn't become truly wet, colorful, or naturalistic until I discovered NOS R-2R converters, which made midlevel four-figure DACs, like my Denafrips and HoloAudio, sound like bits bathed in luminosity. Very relaxed. Grainless. Ektachrome.