Monitor Audio Studio 20 loudspeaker

Monitor Audio Studio 20 loudspeaker

A review of the Monitor Audio Studio 20 loudspeaker is a study in contrasts. Compared with most other loudspeakers in the $4500/pair range, this 6.5" two-way from England is a mere pup. Perhaps this observation was sparked by the fact that I'd just finished reviewing the similarly priced Snell Type B, a huge, six-driver, four-way system. The two loudspeakers couldn't be more different, both in physical characteristics and sound.

Analog Corner #267: Reed Muse 3C turntable & Reed 3P tonearm

Analog Corner #267: Reed Muse 3C turntable & Reed 3P tonearm

The Reed 3P tonearm, which I reviewed in my April 2016 column, was an impressive piece of imaginative engineering and manufacturing prowess. I asked Reed's importer, Axiss Audio, if I could hold on to the 3P—I was already planning to review Reed's Muse 3C turntable. I'm glad I did—the 3P ($5000) and 3C ($15,000) make an outstanding combination. (When the only complaint you have about a turntable is that the cable from its power jack to the power supply isn't long enough to reach the floor, you can be sure you're going to write a very positive review.)

Stromtank S 1000 computer-controlled battery power source

Stromtank S 1000 computer-controlled battery power source

The Kingdom of Audiophiledom rests on a paradox. Inanimate audio systems and rooms aim to deliver music that animates our senses and touches our souls. The inherently lifeless exists to bring music to life.

This holistic reality—that systems and rooms function as living organisms where every part is interconnected and interrelated—came home to me when, during one of the first AXPONAs in Chicago, I entered a long, cavernous basement room with several spongy "conference room" walls. "There is no way that any setup can deliver good sound in this room," self said to self. Yet, the system sounded unbelievably good.

Quackery, gullibility, and open-mindedness

Quackery, gullibility, and open-mindedness

Gullibility is a disadvantage in any business, but it's a cardinal sin in journalism. During my J-school years, I acquired the occupational deformity that afflicts most reporters: a degree of skepticism bordering on the cynical. In my professional circles, an adage holds that "if your mother says she loves you, check it out."
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