Walking through any big art museum, even at a brisk pace, it's impossible not to notice how boldly each object wears the unique stamp of its time and place of manufacture. It doesn't matter whether the artist worked in Paris or Polynesia, in the 15th or 20th century. The force of the creator's persona, united with the constraints of the cultural system that supported the making of that type of art, determines the vibe the object emits. That vibe is what I'm hoping to grasp.

On my way to the Revox room in Warsaw's Sobieski Hotel, my mind wandered/wondered: If a voracious reader is a bookworm, is a tape enthusiast a tapeworm?

Earlier this year, it occurred to Robert Lucskai that he could combine his life-long love of high-end hi-fi with his expertise as a real estate agent. Thus his startup business Costa Soniqa ("Sound Coast") was born.

Although I have very much appreciated how the best floorstanding loudspeakers have performed in my various listening rooms over the decades, I have always been most comfortable with relatively small two-way standmounts. Back in the early 1980s, I got musically moving sound from a pair of Rogers LS3/5a's, which I still own . . .