A lot of people talk about reaching out to a wider and more diverse audience, bringing young people and (gasp!) even women into the high-fidelity conversation, but the people behind Salon Son et Image are actually doing something about it.

Another encouraging sign of the times: At the New York Audio Show, I met several pairs of fathers and sons.

People ask me over and over: How do we get more young people involved in the hi-fi hobby?

Each morning, before heading to the Palace Hotel, I’d stop at the Stereophile office to check on the state of our current issue and answer any important email. On Friday morning, I noticed an email whose subject line was made of a single intriguing word: cancelled.

I opened the email to find the following:

Some are afraid to admit it. Others are proud. Do you consider yourself an audiophile? Attendees, exhibitors, and members of the press are asked this very question.

Thank you to all who participated.

Simplifi Audio room would be a priority on my first day since I missed them entirely last year where they apparently kicked much booty. Hosted by the amicable duo of Daniel Weiss of Weiss Audio and Tim Ryan of Simplifi Audio, a San Diego-based distributor, their large room was devoted to three different systems that were demoed throughout the weekend. The one I heard and pictured above is the Klangwerk Ella 2-way active speaker system ($7,495) fed by the Weiss DAC202 ($6966) and Weiss MAN301 Network Player ($9083; $12,262 with internal DAC), and Integrita Audiophile Music Server (approximately $6000).

Innovative Audio Video Showrooms, a New York City hi-fi gallery hosted two rooms this year: one room with an ultimate-truth to recording digital playback system and the ultra-smooth analog room.

Scott Haggart, a passionate Innovative employee and expert hi-fi demo deliverer was in the midst of a presentation upon my arrival. Haggart treats his work with serious care, and as anyone who has experienced one of his demos can attest to, he guides the listeners patiently through the exact gear that they are listening to and details about the music, a skill not many exhibitors at this hi-fi show demonstrated.

Last year, Burmester relegated their loudspeakers and amplifiers to the grand ballroom of the Waldorf=Astoria, which made their gear easy to see but less accessible to listen to in a concentrated setting. At the New York Palace, Rutherford Audio, the North American distributor for Burmester, hosted their own listening room on the fourth floor with a diverse range of music ranging from Verdi to Infected Mushroom.

Here’s a closer look at that Chord CPA 8000 Reference preamp ($45,000), whose beautiful level controls must surely inspire envy in any audiophile with a pulse.

In one of two rooms sponsored by New Jersey dealer Audio Doctor, Jay Rein of distributor Bluebird Music demonstrated an impressive system comprising KEF Blade loudspeakers ($30,000/pair), Chord SPM 14000 Mk.II mono amplifiers ($86,000/pair), the Chord CPA 8000 Reference preamp ($45,000), a Manley Steelhead phono preamp ($8000), and the Kronos turntable (starting at $32,000)—a combination on which Neil Young’s Comes a Time album sounded so good, I can scarcely wait to hear it again when I get home. While there I also enjoyed some music files—appropriately, my friend Michael Lavorgna of Audiostream.com had the seat next to mine—courtesy of the Chord DSX-1000 ($13,000), a music streamer that incorporates the same company’s well-received QBD 76 D/A converter.

Beauty of Sound also imports and distributes Ikeda tonearms and phono cartridges, used at the show in tandem with a Triangle Art Signature turntable ($12,500). Seen here are the Ikeda IT-407 arm ($6500) and Kai cartridge ($7500); I have in hand a review sample of the former, and will report on it soon. Also in the Beauty of Sound system but not seen here were the Tube Guru all-tube Reference Phono preamplifier ($5400) and Rick Schultz’s High Fidelity cables, which, I’m told, use a patented magnetic signal-transfer technology. Sadly, the aforementioned Leonardo loudspeakers, which sounded great, proved too glossy and black for my camera.