I've noted the typically spacious, airy sound of Reimyo electronics at previous shows, and at NYAS 2013 the brand followed suit. Playing through a pair of Combak Audio's single-driver Bravo loudspeakers (ca $8000/pair), themselves supported by Combak Dinosaur stands ($4000/pair not including feet, the latter represented by options too numerous to list here), the Reimyo gear did a lovely job with the classic Fritz Reiner/Chicago Symphony Orchestra Scheherazade. (NB: The astonishing trumpeter on that 1960 recording, Bud Herseth, died only days ago.) Reimyo products in use included the CDT-777 CD transport (ca $12,000), the CAT-777 preamp (ca $20,000), and the KAP-777 monoblock amplifiers ($27,000/pair). I was given to understand that Wynn Audio, which sponsored this room, now distributes Reimyo and Combak in the US.

Heard at the NYAS with a Leben CS600 integrated amplifier and an Arcam CD73 CD player, the smartly styled desktop loudspeakers from Well Rounded Sound impressed me far more than at previous shows. Their standard Corgi model ($799/pair), used in parallel with a pair of their passive Woof 4 woofers ($399 each) were surprisingly engaging on the Jimmy Cobb Quartet's Jazz in the Key of Blue: explicit without being bright, with decent color and impact. At NYAS 2013, Well Rounded also debuted two new models: the Jack Terrier SE ($349/pair, shown on the left) and the Corgi Mini ($399/pair, shown on the right).

Once hailed as the most expensive amplifier in domestic audio&#151a distinction that has long since passed by the wayside, even when one accounts for inflation&#151the legendary Audio Note (Japan) Ongaku was put through its paces in the Kondo room. Though designed as an integrated amp&#151its stereo pair of 211 tubes, run single-ended, offer 27Wpc&#151this Ongaku was being used as a power amplifier, by means of its direct inputs. Pricing information was unavailable at the time of my visit.

The Audio Note Corporation of Japan&#151which offers products under the surname of that company's founder, the late Hiruyasu Kondo&#151has, in recent years, flown so far under the radar that some feared they were defunct. Now the leaders of Kondo have rededicated themselves to this market, with Rhapsody Music & Cinema as their new US distributor.

Bob Sattin&#151the Bob in Bob’s Devices&#151introduced his new Step-Up Transformer/VPI Interface Box ($1650), “specially created to improve the performance of a VPI turntable when used with a low-output moving-coil cartridge.”

“To limit yourself to just vinyl,” says Audioarts’ Gideon Schwartz, “would be ridiculous.”

It’s not that Schwartz doesn’t like vinyl&#151several LPs were scattered about the beautiful demo room, said to have been the office of Leona Helmsley&#151but he simply believes that a good system should work well with all music formats, and more, should sound good in many different rooms.

Woo Audio’s WA7 Firefly headphone amp ($999) uses a pair of 6C45 power tubes in a single-ended, class-A design, and employs a Texas Instruments PSM5102A 32-bit DAC chip. Around back, a USB input is specified to support 32-bit/192kHz playback, while a single set of RCA jacks are switchable for use as analog inputs or D/A outs.

Dan Clark’s MrSpeakers Mad Dog headphone ($299) starts as a Fostex T50RP, but adds extremely comfortable lamb-leather ear pads, a leather “comfort strap,” revised 3.5mm and 7mm headphone jacks, and modifications to the headphone cups and driver surfaces.

Clark’s goal was to make a closed-back headphone that would perform well at home and on the go. He says that additional upgrades can be made easily over time, so that customers can “treat each purchase as an investment.”

I was pleased to learn that Sennheiser has plans to expand its fashion-conscious Momentum line to include at least two new, lower-priced models.

rrill Wettasingh of Merrill Audio says his class-D Veritas Monoblock amplifiers are "not for tube lovers." The crimson or black chassis is made of a solid 60lb billet of aluminum. Allowing only spade connection for the "best and biggest" sound, these 400 watt (8 ohms) power-houses seek "audio purity" rather than coloration, according to Wettasingh.