Recommended Components: Fall 2020 Edition Disc Players, Transports & Media Players

SACD, DVD-A, & CD Players & Transports & Media Players

Editor's Note: SACD and DVD-A player ratings are based on how they sound with their respective hi-rez media, not CD.

A+

Aurender N10: $7999 with 4TB storage ★
Designed in California and manufactured in South Korea, Aurender's N10 is a computer running a modified version of the open-source Linux operating system, and is dedicated to retrieving audio files from an external NAS drive, or a drive plugged into one of its USB ports, or its internal storage, and sending the data to its Class 2 USB output port or to one of its serial digital audio ports. Internal storage comprises two 2TB Western Digital Green hard drives, along with a 240GB solid-state drive that's used to cache files before playback. Superb sound quality, decided JA, but DSD files were reproduced with a drop in volume when transcoded to PCM to play via a serial digital port. (Native DSD playback was okay.) "This server is a keeper," he summed up. In a Follow-Up, JVS described in detail his efforts to get the most from the N10. In the end, he expressed admiration for this one-box server's ease of use and its ability to connect to a DAC via USB, but noted his ultimate preference for other solutions. (Vol.39 No.4, Vol.42 No.4 WWW)

Baetis Audio Prodigy X3 server: $4800 (without options)
In spite of having more bells and whistles than its predecessor, the Baetis XR3, the new Prodigy X sells for a lower base price. That said, a number of options are available—and KR's review sample had more than a few, including a faster i7 CPU ($200), 32GB of RAM ($280), a pre-installed SOtM USBhubIN port with independent clock board ($1200), and an HD-Plex linear 400W PSU with Baetis cryo-treated DC cabling ($1220). Used with JRiver Media Center and his own exaSound e28 multichannel DAC, the Prodigy X treated KR to "marginally less noise at [the] speaker outlets," a bottom end that was "a bit tighter," and "greater overall clarity." Kal summed up the Prodigy X: "Another evolutionary step in an already distinguished line." In his "Music in the Round" column for the November 2017 Stereophile, KR noted that the Prodigy X "is now running the latest versions of Roon and JRiver Media Center (respectively v1.3/build 247 and v23.0.22)." (Vol.41 No.2 WWW)

dCS Rossini Player: $28,499 ★
dCS Rossini Clock: $8499 ★

Boasting the updated version of the company's signature Ring DAC, the dCS Rossini Player combines a Red Book CD drive with multiple digital inputs and a UPnP network player. The Rossini Player upsamples to the DXD format—PCM at 352.8kHz or 384kHz—and supports both DoP and native DSD up to DSD128. The Player is compatible with Ethernet and Apple AirPlay, and, as of the time of our review, the most recent version of its iOS app supports Roon endpoint integration. JA combined his review sample of the Rossini Player with the similarly new dCS Rossini Clock; summing up his thoughts on both, he wrote that the combo "produced what was, overall, the best sound from digital I have experienced in my system." Of his measurements, all of which incorporated the Rossini Clock, JA wrote that the Rossini Player offers performance that is "about as good as can be gotten from a thoroughly modern digital audio product." In the June 2019 Stereophile, JVS reported on dCS's Rossini software v2.0, which applies to both the Rossini Player and D/A processor. (Vol.39 No.12, Vol.42 No.6 WWW)

dCS Rossini SACD Transport: $23,500
Unlike the earlier Rossini Player, which only played CDs, the Rossini Transport uses a new mechanism from Denon that plays both SACDs and CDs. The Transport outputs audio data on twin AES/EBU links, to allow it to send native DSD data and CD data upsampled to DXD, DSD, or double DSD (these both encrypted) to a dCS DAC. JA used the Transport with a Rossini DAC and was mightily impressed by what he heard. He consistently preferred the sound of SACDs played on the Transport compared with the same data sent to the Rossini DAC over his network, feeling that the low frequencies sounded more robust. "Once these words have been laid out on the pages of this issue," JA concluded, "I'll have to return [the Rossini Transport] to dCS. It breaks my heart. (Vol.42 No.5 WWW)

dCS Vivaldi 2.0: $116,496/system as reviewed ★
The top dCS digital playback system comprises: the Vivaldi DAC ($35,999), which can decode every digital resolution from MP3 to DSD and DXD, provides 10 filter options (six for PCM, four for DSD), and offers every digital input other than Ethernet; the Vivaldi Upsampler ($21,999), which can upconvert even the lowest-resolution MP3 data to 24/384, DSD, and DXD, or any format in between; the Vivaldi Master Clock ($14,999), containing two groups of four clock outputs, which can be independently set; and the Vivaldi Transport ($41,999), a smooth, quiet, quick-booting SACD/CD drive based on TEAC's Esoteric VRDS Neo disc mechanism, controlled by dCS-designed signal-processing electronics and capable of upsampling CDs to DSD or DXD. In addition to updated casework and cosmetics, the Vivaldi products use a complete revision of dCS's Ring DAC topology, increasing the Ring DAC's available dynamic range and decreasing its jitter. Though setup was complicated, the Vivaldi components produced "a texturally supple, delicate, musically involving sound filled with color and life," said MF of the original version. On the test bench, the Vivaldi measured superbly, improving on dCS's Scarlatti in almost every way. "Wow!" said JA. In the December 2017 Stereophile, JVS wrote of the Vivaldi DAC's upgrade to v.2.02 firmware, which enables DSD128 file playback and includes other refinements; MQA compatibility, though anticipated, was not available at the time of our review. Compared to the same DAC running v.1.2 firmware, the upgraded DAC presented JVS with more vividly saturated tonal colors—"I was so impressed by the degree of color saturation that, to fully bask in the sound, I turned the lights out"—and, in place of dryness, "an iridescent clarity to timbres and textures." (Vol.37 No.1, Vol.40 No.12 WWW)

Gryphon Ethos: $39,000
Released at a time when new CD players in general are rarities, let alone ones that cost as much as a 2020 Alfa Giulia, the Gryphon Ethos entices with its user-selectable upsampling (up to 24/384 PCM or DSD128) and digital filters (seven PCM, three DSD), its USB-addressable D/A processor (up to 32/384 PCM or DSD512), its choice of single-ended and balanced outputs, and its "eye-catching and resolutely retro styling"—that last one according to JVS, who also noted that the DAC does not decode MQA and that the player does not play SACDs. JVS also found that upsampling CDs "to either DSD or PCM enhanced listening with additional air and depth . . . . I liked the upsampling feature a lot." Jason's conclusion: "The Ethos is one open, marvelously detailed, and fresh-sounding unit that makes listening an absolute joy." Measurer-in-chief JA added to that assessment: "The Gryphon Ethos offers excellent audio engineering." Because it plays only CDs, A+ rating applies only to its use as a DAC. (Vol.43 No.1 WWW)

Innuos Statement: $13,750 and up
A dedicated server from Portuguese company Innuos, the two-box Statement includes a drive for ripping CDs and features eight separate power supplies: three for each voltage of the motherboard; one for the CPU; one for the SSD storage device; one for the Ethernet Reclocker board; one for the USB Reclocker Board; and one for the USB clock. At the time of the review, Roon and Innuos were discussing how the two systems will work together, but the Statement could still be used as a Roon output device. Comparing the Statement with a Nucleus+ using USB connections to his dCS Rossini D/A processor, JVS found that the Innuos server's treble seemed slightly rounded, the presentation "a touch warmer . . . The Statement warmed the piano and smoothed out the top in a manner that some would call analoglike or tubelike." JVS concluded that "In its flagship Statement music server, Innuos has created a transparent instrument that scores big in soundstage size and depth, dynamics, and bass reach." He was less impressed by the InnuOS 1.4.3 Web app, which he felt was best described as "a work in need of progress." In a follow-up, JA found almost no measurable differences in a PS Audio DirectStream's analog output whether it received data from the Nucleus+ or Statement via USB or from the Nucleus+ via Ethernet. In a series of listening tests, JA found differences between the Innuos and Roon servers difficult to hear with many recordings but ultimately agreed with JVS that via USB connections, the Nucleus's low frequencies were outclassed by the Statement's. "Not by much, I admit," he wrote, "but enough to matter; . . . the bass line had a touch more drive with Statement sending data to the PS Audio." (Vol.43 Nos.4 & 5 WWW)

MBL Noble Line N31: $15,400
Designed to play "Red Book" CDs and, via its USB and other digital inputs, music files up to 24/192 and DSD64 (DoP), the Noble Line N31 is less a digital-audio Swiss Army knife than a luxuriantly attractive, 40lb monument to the idea of perfecting the playback of audiophilia's best-loved digital formats. Built around the ESS Sabre 9018 DAC, the N13 offers a full-color 5" TFT display—the MBL player recognizes CD text and displays title information—and features an SDcard slot for firmware updates, a choice of three playback filters, and a remote handset that lights up before the person reaching for it has even touched it. Listening to CDs and even a CD-R through the N13, JA was impressed by the "sheer tangibility" of the MBL's sound, noting that, with its Min filter engaged, the N31 "gracefully reproduced" one "overcooked" track, and that the differences among its three filters was "greater in degree than with other DACs." Through the MBL's USB inputs, even iPhones and iPads, their own volume controls disarmed by the MBL's USB input, offered "excellent" sound quality. While raising an eyebrow at the lack of a network port and the fact that the player's filters can't be selected via the remote handset, JA concluded that digital sound "doesn't get any better" than what he heard from the N13. JA noted that the MBL offered 21 bits of resolution—the current state of the art of digital audio. This prompted JA the measurer to agree with JA the listener: "Digital audio engineering doesn't get any better." (Vol.41 No.2 WWW)

Merging Technologies MERGING+PLAYER Multichannel-8: $13,500 Merging Technologies MERGING+PLAYER Stereo: $12,500
Noting the enthusiasm shown by "normal" audiophiles for proprietary music players that can be controlled by a tablet or smartphone, KR hailed the appearance of the surround-soundfriendly Merging+Player Multichannel-8 from the Swiss firm Merging Technologies, whose Merging+NADAC D/A converter so impressed him (see elsewhere in Recommended Components). Indeed, the Merging+Player is essentially that very DAC plus a player in the same box, said box now enhanced with a pair of USB inputs. The user is required to supply little more than speakers, amplifiers, and a subscription to Roon, which serves the Merging+Player as user interface. The Merging+Player can handle PCM up to 24/352.8 and DSD64, and has the processing power to do so with or without EQ—although KR mused that it could benefit from more horsepower, "if only to improve the user experience." Still, KR found the standalone Merging+Player to sound no different from his reference Roon-equipped Baetis server—high praise. He described it as "a one-box system of the highest quality." (Vol.41 No.3 WWW)

Métronome c¦AQWO: $26,000
Métronome t¦AQWO: $24,000

A combination of Métronome's c¦AQWO D/A processor ($26,000) and t¦AQWO transport ($24,000), this four-box SACD/CD player—each of the two above-named units has its own outboard Métronome Elektra power supply—provides the lucky owner with a means of not only playing the hi-rez layer of an SACD but also upsampling it to DSD256 or to 24-bit/384kHz PCM, the latter transformation also available to Red Book CDs. (Refer to the full review for details on the combination's output and input options, which defy description in a brief précis such as this.) JVS enjoyed the Métronome combination and singled out the c¦AQWO DAC for its "non-fatiguing, easy-on-the-ears sound that some would consider analog-like." Writing from his lab, JA noted that the t¦AQWO transport's error correction was "one of the best I have encountered." Apart from "disappointing" jitter performance via its AES/EBU and TosLink connections—all was well via HDMI—the c¦AQWO DAC "did well on the test bench." (Vol.43 No.3 WWW)

NAD Masters Series M50.2: $4399
The M50.2 combines the functions of two Masters Series predecessors, the M50 Digital Music Player and M52 Digital Music Vault, yet sells for $499 less than the combined price of both. And, as JA noted, the M50.2 offered "much the same functionality" as the considerably more expensive Aurender N10 and Antipodes DX Reference, making NAD's latest digital source especially noteworthy. With two 2TB hard disks (in a RAID array) for file storage and a CD drive for ripping—or just playing—"Red Book" CDs, the Roon-ready M50.2 can be controlled via its front-panel display or a BluOS app; Ethernet connectivity is supplemented with WiFi and Bluetooth aptX, and supported streaming services include Tidal, Spotify, HDtracks, and others. PCM up to 24/192 is supported, a DoP decoder for DSD files is said to be in the works, and the M50.2 is MQA-compatible, although to get the full benefits of that codec during playback requires an MQA-compatible DAC. (Used with JA's non–MQA-compatible PS Audio DAC, the NAD performed the first audio-origami "unfolding" of streamed MQA files, indicating optimal performance with that format.) Used to play 24/192 files, the NAD rewarded JA "with sound quality [that was] indistinguishable" from that of his other servers. (Vol.40 No.12 WWW)

Roon Labs Nucleus+: $2498 without audio file storage ★
The first hardware product from software specialist Roon Labs, the Nucleus+ combines an Intel i7 processor/NUC board with 8GB of RAM and a 64GB SSD solid-state drive, the latter hosting the Linux-based Roon Optimized Core Kit (ROCK) operating system and Roon server software. Also provided are a single gigabit Ethernet port, USB 3.0 ports for conversing with external drives and/or USB DACs, a multichannel-friendly HDMI port, a Thunderbolt 3 port, and an internal bay for an HDD or SSD drive. Use of the Nucleus+ requires a Roon subscription ($9.99/month, $699.99/lifetime). When JA tried the Nucleus+, he found he had "nothing specific to say about the sound other than that it was always excellent." KR described his efforts at pressing the Nucleus+ into service as a multichannel server. His results were encouraging, although DSP execution was a mixed bag, depending on sample rate, the operation desired, and the strain they put on processing power. Upsampling in particular "seemed to drain the tank." In a 2020 follow-up, JA found that the sonic differences between the Nucleus+ and the considerably more expensive Innuos Statement server were small. (Vol.41 No.8, Vol.42 No.3, Vol.43 Nos.4 & 5 WWW)

T+A MP 3100 HV SACD/CD player: $21,000
This impressively well-engineered, "Roon tested" hi-rez player includes AES/EBU, TosLink and coaxial S/PDIF, Wi-Fi, Ethernet, and USB serial data inputs as well as a USB Type A port to play files on a storage device. It even has an FM radio tuner. A choice of four oversampling reconstruction filters allows the user to tailor the MD 3001's sonic signature. JCA concluded that "Treble tones glisten like light reflected from the facets of a diamond, and also seem especially relaxed—no digital glare. Bass, while not louder than with other digital sources, has more sturdiness and depth." On the test bench, the T+A player's measured performance was beyond reproach, though JA warned that those rare preamplifiers with an input impedance of less than 1k ohms should be avoided. (Vol.43 No.6 WWW)

Wolf Systems Alpha 3 server: $7195 as reviewed
Wolf Systems Alpha 3 SX server: $9295 as reviewed

Wolf Audio Systems specializes in configuring eighth-generation, six-core i7 processors for use as silent (no cooling-fan noise) music servers with prodigious computing power—leading KR, Our Man in the Round, to wonder if there existed a sufficiently powerful Wolf to meet the demands of multichannel playback (!) of hi-rez files (!!) with DSP and/or EQ (!!!). Wolf suggested he try the Alpha 3 High Fidelity Audio Server (HFAS), which supports JRiver Media Center and Roon and offers 16GB of RAM, a 2TB SSD for internal storage, and a TEAC Blu-ray transport for ripping and playing CDs. KR was impressed with the Alpha 3—and by Wolf's semi-customized owner's manual and telephone and VPN support. He noted that "the Alpha 3 never blinked, blanked, or unceremoniously rebooted itself; it worked silently and reliably." His verdict: "a great choice for playing hi-rez files of multichannel music." In his review of the premium Alpha 3 SX version—the SX stands for "Stillpoint/eXemplar Audio" and refers to grounding, vibration management, and RF/EMI rejection technology designed by those two companies—JVS wrote that "from the very first notes, the Alpha 3 SX's neutrality came as a breath of fresh air." JVS also auditioned the Alpha 3 SX with the optional Flux Capacitor USB clock card ($600). Without the clock card, he found that "the magic was lessened." With the USB clock card, depth was "quite good, if not as deep as through my reference Nucleus+ with external linear power supply." JVS felt the Wolf server was a better match with darker-toned ancillary components but summed up his review by writing "Match the Wolf Alpha 3 SX with the right components, and you may end up howling for joy." (Vol.42 No.1, Alpha 3 WWW; Vol.43 No.5, Alpha 3 SX WWW)

A

ATC CDA2 Mk2 CD player: $4249
An unexpected gem in the product line of a UK speaker specialist, the CDA2 Mk2 majors in the playing of "Red Book" CDs and minors in preamplification. As KM noted, "the beating heart of the revised CDA2 is twofold: a Chinese-made TEAC 5020A-AT CD transport . . . and [AKM's] AK4490EQ DAC chip." Preamp gain comes courtesy of op-amps built around discrete devices, and the USB receiver is an Amanero Combo 384. When using it to play CDs, KM found that "the ATC presented each as a character study of a unique sonic personality telling a singular story," and he praised in particular the player's sonic transparency. Playing files through the ATC's USB input—streaming is not supported—Ken described the sound as "very good overall, including from DSD files, but it lacked the visceral grip of CDs through the ATC's transport." Reporting from his test bench, JA praised the CDA2 Mk2's "generally superb measured performance, though its S/PDIF inputs aren't up to the standard of jitter rejection offered by CD playback and the USB input." (Vol.41 No.12 WWW)

AVM Ovation MP 8.2: $12,900
The multifunction Ovation MP 8.2—it combines in one box a CD player, a streamer, a file player, and a USB DAC—will be remembered by AD as the product with which he learned to love streaming, in particular hi-rez recordings from Tidal: "My streaming experiences with the MP 8.2 would, in the end, comprise the greatest single impediment to my saying goodbye to it." Part of the reason for that was surely the product's ease of installation and setup, AD praising AVM's instructions on the making of Ethernet connections as "commendably clear and straightforward"—although another part may well have been the inclusion of a dual-triode tube in the output-stage filter of its 32/384 DAC. AD also had good results playing files on the Roon-ready AVM player, and he praised the sound of its CD player—with the MP 8.2's Smooth filter setting activated—as offering "superb color and texture." Writing from his test bench, JA noted the AVM's higher-than-CD-standard output voltage and praised its "excellent rejection of word-clock jitter"—its slight analog-domain distortions he blamed on the tube—and concluded by stating that the MP 8.2 "offers generally excellent measured performance." AD's conclusion: "I am very impressed." An optional remote handset adds $699 to the price; the downloadable iOS- and Android-friendly control app is free. (Vol.41 No.2 WWW)

Bryston BDP-3: $4095
In February 2017, Bryston upgraded their BDP-2 digital player to BDP-3 status, with refinements including an even faster Intel Quad-core processor; a Bryston-manufactured integrated audio device (IAD) in place of a soundcard; a custom Intel Celeron motherboard; a bigger power supply; and two additional USB ports, for a total of eight—three of which use the faster USB 3.0 protocol. Bryston's tried-and-true player now supports up to 32/384 PCM and DSD128. The BDP-3 supports Tidal, and can be configured as a Roon endpoint. LG sent his BDP-2 to the Bryston factory for conversion to BDP-3 status (a $1500 upgrade) and found that the new media-player software displays more album art and metadata; more important, he found slight improvements in sound over the BDP-2, including improved bass extension and clearer, more open, more detailed presentations of well-recorded choral music. (Vol.41 No.1 WWW)

Hegel Music Systems Mohican: $5000
With a name that suggests it's among the last of a dying breed and a design brief that all but sneers at present-day trends in digital source components, the "Red Book"only, physical-media–only Mohican uses a Sanyo transport and an AKM DAC chip to play 16-bit/44.1kHz discs without upsampling. A digital output (BNC) is provided, along with balanced (XLR) and unbalanced (RCA) analog outputs. Following his listening tests, HR praised the Mohican's coherence and "simple, unobstructed clarity," while noting that it didn't communicate natural textures as well as some contemporary standalone DACs. That said, he praised the Hegel player for perhaps giving "new meaning to that old cliché: future-proof." Measurer-in-chief JA observed that the Mohican "demonstrates appropriate audio engineering," his only reservation being some spuriae at and related to 100Hz. In a Follow-Up, AD commented on the Mohican's unusually study, serenely finished casework, and praised it for not tarting up lousy CDs, but rather for "giving me the arguably deeper and more enduring pleasure of hearing goodness enhanced. This is my new standard in CD playback." (Vol.40 No.5, Vol.42 No.3 WWW)

Kalista DreamPlay One: $49,000
The Kalista DreamPlay One, from French digital-audio specialists Métronome, is a two-box CD player, only one of whose halves—its Elektra power supply—is really a box at all. The other half—the DreamPlay One itself—is an exotic-looking and roughly hexagram-shaped device made of steel, aluminum, and methacrylate. Its modified Philips CDM12PRO transport is exposed and designed for use with a supplied CD puck, also exotic-looking. Both single-ended and balanced outputs are provided, but there are no digital inputs or outputs. A brilliantly executed display screen is integrated within the player's frontmost structure, and incorporates soft-touch buttons for controlling the DreamPlay One's basic functions; the screen also assists in choosing from among the player's six user-selectable digital playback filters, differences between which AD found to be "the smallest real differences . . . I've ever heard." Far more apparent were the distinctions between the Kalista DreamPlay One and most other players of Art's experience: "I really can't recall the last time a CD player was so good that it helped change my mind about music I'd never quite favored." Art described the Kalista as "more tonally balanced" than his aging reference Sony player—only after killing a couple of paragraphs by whining about how difficult it is to write positive reviews—and raved over its abilities to convey instrumental colors, musical momentum and force, realistic scale, and realistic presence. He summed up: "the DreamPlay One is without flaw in every regard but price." Measurer-in-chief JA wrote that, apart from a trace of power-supply ripple, "the Kalista DreamPlay One demonstrates good audio engineering." (Vol.41 No.9 WWW)

NAIM ND5 XS 2: $3495
Built around Naim's proprietary streaming platform, the ND5 XS 2 player—at present the company's entry-level model—can be used wirelessly or via an Ethernet connection to the user's router or network switch. Depending on file type, the Naim supports PCM up to 32/384 and DSD to DSD128, but does not unfold MQA content. The Roon-ready ND5 XS 2 supports Tidal, Chromecast, and Spotify, with Qobuz compatibility said to be in the works. AD found the Naim sounded its best with files played from his laptop via Roon—and that was very good indeed, a beloved Beck track in particular sounding "as good and big and compelling" as he'd ever heard it. Writing from his test bench, JA noted that he was "puzzled" by the Naim's less-than-straightforward jitter performance but noted that the player "otherwise . . . turns in respectable measured performance." AD's conclusion: "a good-sounding, pleasant-to-use player that offers very good value." (Vol.42 No.4 WWW)

Playback Designs Sonoma Syrah server: $6500 ★
Andreas Koch, who managed the development of the original eight-channel DSD recording console (dubbed the Sonoma) and went on to found Playback Designs, created the Sonoma Syrah server as part of a multichannel system, to be used in tandem with up to three of his company's Sonoma Merlot stereo DACs ($6500 each; see elsewhere in this edition of "Recommended Components"), with a separately available Playback Designs USB-XIII Digital Interface ($2500) acting as a master clock. The Syrah measures 12" wide by 3.25" high by 9" deep, and the only distinguishing features on its faceplate—one surface of an aluminum casting that also serves as the enclosure's top—are three small LEDs; apart from those, all user interactions are performed via tablet (iPad or Android). An RJ45 jack is provided for network connection, and two USB-A jacks for input/output. The Syrah comes with a 1TB internal drive, upgradable to 2TB. KR found setup—as described above, with Playback Designs DACs and interface—"uncomplicated," but had reservations about the Sonoma Syrah's somewhat dated user interface. He was pleased by the system's "transparent and unrestrained sound," and its "extremely deep, detailed soundstages and very articulate bass." (Vol.40 No.9 WWW)

Sony DMP-Z1: $8499.99
Weighing as it does a little over 5lb, the Sony DMP-Z1 is less of a Walkman (as the manufacturer describes it) than a SitInTheLimoMan (as JA describes it); however it's labeled, this media player/digital processor/headphone amplifier is unambiguously a luxury product, with convenience features that include a top-mounted color touchscreen; two slots for microSD cards; Bluetooth alongside USB connectivity; MQA support; and a big, gold-plated-brass volume knob—plus user-selectable reconstruction filters and DSP functions. The Sony rewarded JA with sound with "excellent low-frequency weight" but that was a bit too mellow with darker-than-neutral 'phones such as his AudioQuest NightHawks—Audeze LCD-Xes were a better match. "An MQA-encoded classical track sounded simply glorious through the Sony." JA-the-measurer confirmed the impressions of JA-the-listener, noting "superb measured performance, indicative of equally superb analog and digital audio engineering." (Vol.42 No.8 WWW)

B

Bryston BCD-3: $3995 ★
AD, whose preoccupation with obsolete technologies now extends to physical digital media, continues to seek out The Last CD Player You'll Ever Buy, in which context he auditioned the Bryston BCD-3—a product that eschews both digital inputs and hi-rez media to focus on playback of "Red Book" CDs. (That said, the BCD-3 does have AES/EBU and S/PDIF digital-output jacks, for use with an outboard DAC.) The BCD-3 is built around the AKM AK4490 DAC chip—two per channel, in differential mode—and uses a metal-encased disc transport from the Austrian company StreamUnlimited, healthy supplies of which Bryston claims to already have on hand for future repairs. AD thoroughly enjoyed his time with the BCD-3, which did virtually everything he could have asked for: It played bluegrass music with drive and color, offered musically nuanced and pleasantly tactile playback of dense classical recordings, and even exposed the top-end glare heard on one disc as originating with his ancient Sony disc player, not the recording itself—which had "fine color and clarity" through the Bryston. AD concluded that the Bryston BCD-3 "offers very good value for the money. I could easily, happily live with it, and can just as easily recommend it." JA's measurements revealed nothing untoward—just "superb audio engineering." (Vol.40 No.8 WWW)

Pro-Ject Stream Box S2 Ultra Server: $849 $$$
This relatively affordable server/network bridge runs a customized Volumio operating system, which resides in its 12.79GB onboard memory, and can be controlled by either a Web browser or Pro-Ject's own iOS app; it can also be used as a Roon endpoint. Network connectivity is via Ethernet or WiFi (an antenna is included). Tidal and Spotify streaming services are supported, as is Shoutcast internet radio, and the Stream Box S2 Ultra supports PCM up to 32/352.8 and DSD up to DSD256. In JA's system, the Pro-Ject network bridge, controlled by its free app and with a USB-connected DAC, produced sound that was "indistinguishable from that using my [Roon] Nucleus+ with Roon to stream audio over my Ethernet-wired network. Not bad for something that costs only one-third the Roon server's price." (Vol.42 No.4 WWW)

Rega Apollo: $1095 $$$
In 2018, AD tested both the most expensive current-production high-end CD player of his experience (the $43,000 Kalista DreamPlay One) and the least expensive; the latter was the latest version of Rega's humble Apollo, a half-size (8.7" wide) player whose top-loading transport is accessed via a cleverly designed manual-lift lid, and whose DAC chip is a Wolfson WM8742. The Apollo impressed Art with its generally unfussy appearance and ease of use, and, most of all, its compelling sound quality. With a disc-dependent balance that ranged between slightly light and just right, the Rega complemented the well-saturated and -textured sound of AD's tubed electronics, and proved a reliable revealer of pitches, rhythms, and otherwise-unnoticed musical subtleties. His conclusions: "This player has a sonic brilliance—a clarity of detail and musical line, allied with a spatially up-front presentation—that enhances musical engagement. Robustly recommended." Writing from his test bench, JA noted that the Apollo's rejection of word-clock jitter was "not quite to the otherwise excellent standard of digital engineering revealed by the rest of its measured performance." (Vol.41 No.6 WWW)

Deletions
Astell&Kern A&ultima SP1000, LG V30 MQA-capable smartphone, discontinued. Esoteric N-01, replaced by new version not yet reviewed.

COMMENTS
partain's picture

I can't stand it !
Please review the new & improved KEF LS50s.
The things I've read are titillating , to say the least.

John Atkinson's picture
partain wrote:
Please review the new & improved KEF LS50s.

There is a pair of the new KEF LS50 Meta on its way to me.

John Atkinson
Technical Editor, Stereophile

Link's picture

Awesome, looking forward to the review. Wireless or passive? Just curious what to expect. Thanks.

John Atkinson's picture
Link wrote:
Awesome, looking forward to the review. Wireless or passive?

Passive.

John Atkinson
Technical Editor, Stereophile

rk11's picture

Auditioned the KEF R3s, Polk Legend L200s and the KEF LS 50 Metas a few days ago with 5 tracks of my choosing and thus far my rank ordering of these speakers is as noted. Personally, I found the Metas a bit bright and their bass response was the most lacking - not surprising given the size of the speaker cabinet. Never been a fan of the Polk speakers till the Legend series. The 200s were every bit as good as the R3s EXCEPT in the vocals. I am sure that JA's review will be under a much better controlled environment.

marlie's picture

I feel the same when went to the auditing room of a store to audit, that the bass response of LS 50 Meta is lacking compare to R3, feels more tin-ish to me.

Shangri-La's picture

In the written review, the Ares II was preferred over the Chord Qutest. Yet the Qutest is rated Class A and Ares II is Class B. Interesting...

LinearTracker's picture

BD gave the Duo an “A” rating and deservedly so, but I am listening to the new Duo with the linear power supply and believe it to be a game changer.
I hope to see an update soon.

Link's picture

I have been able to compare the BRXs to a true class A speaker in my system, and I do now agree with the class B rating. Thanks again for the great reviews.

Glotz's picture

with explanation...

Link's picture

Comparisons having been done, the BRXs are nothing to shake a 1M interconnect at. Although they are not quite up there in terms of transparency, detail, and air - they sure do get the timbre, neutrality, and imaging right.

thyname's picture

You butchered the name of T+A MP 3100 HV. Please fix it. There is no such thing as “ T+A MD 3001 HD SACD/CD player: $21,000”

Robin Landseadel's picture

The "A" rated Sennheiser HD 650 headphones have been reissued at a lower price [with a couple of changes that don't affect the sound] as the Drop HD 6XX. Drop is an online only operation, sells for $220 + shipping & tax. It's one of the cheapskate audio high points of the season along with Topping Headphone amps and DACS.

Ali's picture

Thanks but for whatever reason, I cant find AR new REF 6SE preamp here.

John Atkinson's picture
Ali wrote:
Thanks but for whatever reason, I cant find AR new REF 6SE preamp here.

The Audio Research Ref6 SE was reviewed in the November issue, after this edition of Recommended Components was published. It is eligible for inclusion in the April 2021 edition.

John Atkinson
Technical Editor, Stereophile

ygbae's picture

I don't know whether anyone has noticed or not, but the header of PS Audio DirectStream Power Plant is hiding next to "See Interconnects." of Nordost Valhalla 2 AC power cord.

Jim Austin's picture

Jim Austin, Editor
Stereophile

Link's picture

I know that there have already been several follow-ups on this DAC, but am wondering if you have any plans to review the latest firmware, Windom. Thanks!

Kunst des Fugue's picture

(No idea why I'm shouting into the void.) Stereophile discusses equipment without accurately describing the context. Most vexing is the cavalier references to devices that can be connected by balanced or unbalanced lines. Stereophile might mention that devices are connected by a balanced line, but they never mention whether the balanced line is at "consumer" level (~2V) or standard professional level (+10dBu). The subsequent SNR are never addressed. Furthermore, incompatibility between devices is never addressed. For example, the Benchmark LA4 has pro-level outputs and their AHB2 accepts pro-level input. Does Stereophile bother to mention which other devices are compatible with these? I find no evidence of that.

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