Whacking weedsIn a recent chat with Stereophile Editor Jim Austin at a listening event in Manhattan, Jim mentioned something he'd been hearing from audio retailers: that the biggest product-support challenge they face these days is customers' networking problems. I am right there with that demographic. Plugging in the replacement NEO Stream, though, my karma seemed to improve. The unit started up and connected just as the online user manual said it should. Time spent reviewing other streaming hardware prompted me to use a wired Ethernet connection for setup, direct from my home router, because it's more stable than Bluetooth or Wi-Fi. I recently upgraded my internet service here in Cooperstown to gigabit speed. However, auditioning the NEO Stream in my New York City rental, when I went to choose a Wi-Fi network, literally dozens of competing networks popped up. This isn't just confusing; so much network traffic can cause a Wi-Fi network to be slower and less stable, with many errors and error correction that can degrade sound. A wired connection is preferred in all cases due to its superior dependability, but it's especially important if your Wi-Fi signal is weak or if there's lots of other networks in the vicinity. If you intend to get serious about streaming-to take full advantage of all the technologies a box like this offers-I recommend you upgrade, too. Exit the horse-and-buggy era. A streamer isn't a record player.
Q: What is a streamer? 1. A lightweight lure made of feathers, intended for flyfishing; 2. An electronic box that plays back media content delivered over the internet. Writing at the start of the flyfishing season, in the flyfishing mecca that is upstate New York, I'm all for angling metaphors. But today it's not trout bites I am after but gigabytes.
First, I cued up a recording I knew should sound great: the Shostakovich Symphony No.11 "The Year 1905," conducted by Andris Nelsons, live, with the Boston Symphony Orchestra (24/96 FLAC, DG/Qobuz). (Is there a composer who speaks more directly to the troubled times we live in now?) Utilizing the NEO Stream's balanced output and its XLR-terminated splitter cable, the opening of Part 1, "The Palace Square," fully possessed the dark sense of menace contained in this recording of this chilling programmatic masterpiece. The soundstage was as wide and deep as "the autumn night is black as the tyrant's conscience," to quote Shostakovich. Incredible low-end basses and percussion were fully realized by the NEO Stream with my Wilson Sasha DAWs.
I have occasionally been an "early adopter" of tech, but not MQA. Until now, I've never had a DAC in the house that could decode it. With the iFi NEO Stream in place and Tidal Connect, I was finally able to get a taste of the controversial codec.
I think I am developing a sweet tooth. Something just felt "right," to pick one simplistic word, about the sonic product MQA achieves. Played back via Tidal Connect, the sound on Coleman Hawkins Encounters Ben Webster (24/96 MQA, Verve/Tidal) was startlingly fine. With Norman Granz producing and a band consisting of Oscar Peterson, Herb Ellis, and Ray Brown, this music is as good as it gets. The sound, too, was just about as good as it gets. I heard some of the best saxophone reproduction I've heard, on "It Never Entered My Mind."
I plugged the NEO Stream back into my Ethernet/LAN network again. I connected the AES3 output of the NEO Stream to my longtime reference Bricasti M1SE DAC. I pulled up a new recording of two great works by Bartók performed by the Netherlands Radio Philharmonic Orchestra, conducted by Karina Canellakis (24/192 FLAC, Pentatone/Qobuz). This new live recording joins the never-ending parade of recordings of the Concerto for Orchestra, paired here with Bartók's earlier Four Orchestral Pieces.
Wow, this sounded great. The opening Introduzione of the Concerto was like Pat the Bunny (footnote 4), with a visceral sense of tactile softness from the muted strings. I am a sucker for musical openings that "back into" a piece, as my composition teacher John Adams once described it to me. This is a great example.
New growthThis new thing from AMR/iFi Audio, the NEO Stream, offers very strong inducements for discerning audiophiles. It's particularly well-suited to those who are happy with their traditional hi-fi rigs and are looking to add state-of-the-art streaming to the mix. Its sturdy, all-aluminum construction belies its modest price. The sound quality is beyond reproach, its versatility is impressive, and it's presented in a compact physical package-small enough for placement on a desktop if so desired, for use with a headphone amplifier or a pair of powered speakers. The iFi NEO Stream punches way above its retail price, bringing complex high-end audio down to earth.
Footnote 2: Qobuz is currently developing a "Connect" capability like those already deployed by Tidal and Spotify. Footnote 3: There was, obviously, a bit of a delay between A and B as I changed connection methods. Footnote 4: Sasha is referring to the children's books, not the independent musician known for songs about drugs and alcoholism.—Jim Austin






























