Floor Loudspeaker Reviews

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Tetra 505LTD loudspeaker

Tetra Speakers may not be a familiar name to many US audiophiles. Based in Ottawa, Ontario, the company has been around for a decade, but has taken a slow and steady approach to building its visibility in the insanely competitive and trend-conscious world of high-end loudspeakers.

ProAc Response 2.5 loudspeaker

ProAc's designer Stuart Tyler sounded casual—almost bemused—when I spoke with him recently about the new 2.5, a floorstanding, two-way ported box in the middle price slot ($4500/pair) of his Response series. While answering my pressing queries about the crossover point, driver materials, cabinet construction, and other reviewer obsessions, his body language said, "Does any of that really matter with these speakers? You know what the real story is here."

ProAc Future One loudspeaker

A company other than ProAc best describes the Future One: "And now for something completely different!" Of course, that was a company of British comedians. There's nothing funny about the talented British speaker designer Stuart Tyler's latest effort, but there is something odd: Tyler is reputed to have said of the Future One, "This is the loudspeaker I have always wanted to build."

PBN Montana EPS loudspeaker

Most speakers don't come in heavy wooden crates—they come in cardboard cartons, two per box, light enough to be tucked under one arm and carried out to the car. Not so in HighEndLand, where the smallest minimonitor can test a healthy man's strength. There are plenty of good reasons for this cult of robustness, foremost among them structural stability and the suppression of resonances.

Hales Design Group Transcendence Five loudspeaker

Paul">http://www.stereophile.com/interviews/117">Paul Hales has been a busy guy lately. In little over a year, he has designed and brought to production four new speakers in his Revelation series (footnote 1); his cost-no-object flagship, the Alexandra, which had been seen but not heard at a number of shows, was finally demonstrated at the 1999 CES; and he has introduced the new Transcendence series, which replaces the Concept series. (He's also produced a brand-new baby girl during this period, although I believe his wife made a significant contribution to that project.)

Infinity Primus 360 loudspeaker

When I reviewed Infinity's">http://www.stereophile.com/loudspeakerreviews/404infinity">Infinity's Primus 150 loudspeaker in the April 2004 Stereophile, I was very impressed with its overall performance. To this day, I continue to be amazed at the level of realism this $198/pair loudspeaker can reproduce, and I've kept the review pair to serve as a benchmark for an entry-level audiophile speaker. When I'd completed that review, my first thought was: Now—what can Infinity do within the affordable Primus series for more money? So I requested a review sample of the Primus series' flagship, the three-way Primus 360 floorstanding speaker. After all, how could I resist listening to a speaker that claims 38Hz bass extension for only $658/pair?

MartinLogan Montage loudspeaker

This lapsed fan of electrostatic speakers finds it curious that, while MartinLogan is the predominant representative of this technology in the US, I had never auditioned an ML design in my home. I've enjoyed many Janszen tweeters, a KLH 9, an AcousTech X, Stax ELS-F81s, and I've dallied with Quad">http://www.stereophile.com/loudspeakerreviews/416">Quad ESL-63s. But as dumb luck would have it, the first MartinLogan speaker to reach me, the new Montage, is a hybrid model.

Linn Akurate 242 loudspeaker

In 1985 or so, a middle-aged audiophile who lived in New York City called to invite me to come listen to his stereo: It was, he assured me, the best in the world. All he wanted was the pleasure of my opinion, for which he offered the princely sum of $100. (As I learned in the months and years to come, this same audiophile called virtually every other audio writer in the metropolitan area whose phone number he could get hold of, making the same offer.)

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