Robert Deutsch

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Robert Deutsch  |  Oct 18, 2017  |  5 comments
The Toronto Audio Video Entertainment Show (TAVES) has changed its venue. The show that now bills itself "North America's ULTIMATE Technology & Hi-Fi Show" has moved from the suburban Sheraton/Best Western location of the past two years to the Toronto Congress Centre, near the airport.

Why the move? Suave Kajko, President of TAVES, cites several reasons: the venue wanted to literally double the price for the large rooms; the Best Western hotel was the source of many complaints from exhibitors, and, in any case, is scheduled for demolition, and the show was bursting at the seams in terms of space (they didn't have enough space for booth exhibitors).

Robert Deutsch  |  Sep 26, 2017  |  6 comments
The first time I heard a CD player in my own system was in 1983, the first year of the format's introduction in the West. CD players were generally hard to come by, but I had a friend who worked for Sony, and he came over with his new toy: Sony's next-to-top-of-the-line CD player. (I think it was a CDP-501.) We connected it to my system—at the time, Quad ESLs driven by a Luxman tube amplifier, with a Linn turntable—and listened to some Sony demo CDs.
Robert Deutsch  |  Sep 14, 2017  |  9 comments
IsoAcoustics Inc. has its head office in Ontario and its manufacturing facilities in China, and is headed by Dave Morrison, who for 20 years has been involved in designing radio and television studios for the Canadian Broadcasting Corporation. The IsoAcoustics products are the result of this experience. Although relatively new on the consumer-audio market, IsoAcoustics' speaker-isolation products have gained wide acceptance in pro audio; their client list of recording and mastering studios includes Blackbird (Nashville), Mastering Palace (NYC), Flux (NYC), United Recording (LA), the Boston Symphony Orchestra, Skywalker Ranch, and Abbey Road.
Robert Deutsch  |  Sep 07, 2017  |  First Published: Oct 01, 1992  |  0 comments
One never knows, do one? Within the past year, I've had six preamplifiers in my system for critical evaluation, reviewing four of them and using another two as references. I was getting pretty tired of listening for sonic differences among preamps, and I told JA that I'd prefer my next reviewing assignment to be something different, like a speaker or a power amp. He agreed, but said he'd first like me to review just one more preamp, the Perfectionist Audio CPR/TIPS, which had been waiting patiently in the review queue in Santa Fe. Well, one more wouldn't hurt. Sounded kind of interesting, anyway: a preamp with a battery-operated power supply!
Robert Deutsch  |  Jul 11, 2017  |  12 comments
If Stereophile gave an award for Loudspeaker We've Most Frequently Reviewed, the hands-down winner would have to be the Quad ESL. The list of past and present Stereophile contributors who've written about the ESL's various incarnations includes John Atkinson, Martin Colloms, Anthony H. Cordesman, Art Dudley, Larry Greenhill, J. Gordon Holt, Ken Kessler, Dick Olsher, Herb Reichert, William Sommerwerck, Steven Stone, and Sam Tellig. The ESL-63 was John Atkinson's personal "Editor's Choice" in 1992, and the ESL-989, a successor to the ESL-63, was Stereophile's 2003 Loudspeaker of the Year and Product of the Year.
Robert Deutsch  |  Mar 09, 2017  |  First Published: May 01, 1993  |  0 comments
90unity.promo250.jpgFor anyone who wants to be up to date on all the audio products available in North America, Audio's Annual Equipment Directory is an indispensable source of information. (So is the publication you're reading now, of course.) The 1992 Directory (aka Audio's October issue) arrived when I was finishing up the review of the Acarian Alón IV (see February 1993, Vol.16 No.2) and about to start seriously listening to the Unity Audio Signature 1s. As I leafed through the issue, I wondered how fledgling loudspeaker manufacturers feel reading the section on loudspeakers. According to the Directory, there are 329 makers of speakers (17 more than in 1991) producing no fewer than 2286 different models. How can a new loudspeaker manufacturer compete with the established makes and their marketing clout, brandname recognition, and economics of scale? You'd better have a really good product—or be a genius at promotion.
Robert Deutsch  |  Feb 27, 2017  |  0 comments
Imagine that you own an audio store, and business is good. Sales are up, and you'd like to take on additional lines. It's a good position to be in, but it has its challenges. You need more space, for sure. But what if the only suitable space that's available is some distance from the original store. Will customers follow you to the new location? Adrian Low, owner of Audio Excellence, has had to face this challenge three times.
Robert Deutsch  |  Jan 09, 2017  |  1 comments
A 2017 CES Innovation Awards honoree, the HiVi Swan MS-10 ($4000 per pair) is a wireless active stereo system that resembles no loudspeaker that I've seen. (I kept thinking that it looks like one of those "ergonomic" office chairs.)
Robert Deutsch  |  Jan 09, 2017  |  1 comments
CES 2017 was the occasion for the North American debut of Dynaudio's Contour series of loudspeakers. There are four models in this range, all manufactured at Dynaudio's newly expanded R&D and manufacturing facility in Skanderborg, Denmark.
Robert Deutsch  |  Jan 09, 2017  |  3 comments
Based in the Czech Republic, Acoustique Quality is a highly sophisticated loudspeaker design and manufacturing facility that uses the latest technologies, including 3D modeling, five-axis machining, high-precision cutter saws, etc.

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