Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

T.H.E. New York International Audio Show

The first thing to know about T.H.E. New York International Audio Show is that it’s not in New York. The three-day event, Oct 24–Oct 26, 2025, was held at the Hilton Hasbrouck Heights, a New York bedroom community available by train, rental car, or personal vehicle if coming from Manhattan. Your ability to get to the venue was anyone’s guess, as no directions were shown on T.H.E. Show’s website.
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Warsaw premieres and triumphs

At least three premieres, a number of rooms with glorious sound, and reunions with old friends both human and electronic distinguished my romp through the hallways of Warsaw's PGE Narodowy on the first day of Audio Video 2025 in Warsaw. Compared to other days I've spent at shows in Chicago, Munich, Florida, and Seattle, it was a pretty fine day.
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Gramophone Dreams #102: Stax SR-007S Earspeakers

Walking through any big art museum, even at a brisk pace, it's impossible not to notice how boldly each object wears the unique stamp of its time and place of manufacture. It doesn't matter whether the artist worked in Paris or Polynesia, in the 15th or 20th century. The force of the creator's persona, united with the constraints of the cultural system that supported the making of that type of art, determines the vibe the object emits. That vibe is what I'm hoping to grasp.
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