LATEST ADDITIONS

Jason Victor Serinus  |  May 01, 2020  |  92 comments
I am a Sharpener. I can acknowledge being a Sharpener—someone who, as explained by Stereophile reviewer/psychology professor Robert Deutsch in our March 2009 issue, tends to look for and exaggerate differences—without feeling a need to enter a 12-step program or confess to a crime. That's because there's nothing wrong with being a Sharpener.
Art Dudley  |  Apr 30, 2020  |  17 comments
I was well over 50 when I first heard an original copy of Charlie Parker's "Ko-Ko." It was a happy accident. I received a call from the family of a well-to-do neighbor who had recently passed away, asking if I'd be interested in having his record collection. Three minutes later, I was parked near the servants' entrance of their centuries-old brick mansion—how quickly we forget our proletariat resentment when there's vinyl to be had—loading a few cartons of LPs and 78s into my car.
Herb Reichert  |  Apr 29, 2020  |  7 comments
I hope you can tell how grateful I am to be writing a column every month. A column makes me feel like a reporter or raconteur, both of which I aspire to become. In a column, I can be more me. I can evolve, think out loud, and speculate, right in front of you. I can pass on crazy stories from a lifetime of audio. When I write about products in a Dream, I try not to form it as a review, per se, but rather as an informal chronicle of discovery.
Julie Mullins  |  Apr 28, 2020  |  18 comments
When I was growing up, calling Dad to dinner required a trip down carpeted stairs to the basement, an audiophile man cave in a time before the term had been invented. I'd open the door from the kitchen, and a great wall of sound would emerge—and nearly blow me back before I descended the stairs.
Kalman Rubinson  |  Apr 27, 2020  |  24 comments
This unique device is a solution to a problem that previously couldn't be solved.

There are, of course, any number of little boxes that can extract audio from the HDMI video bitstream; they began to appear on the market to fill a need for a way to route audio from a player's HDMI output In the recent past, you could buy a good-quality—even audiophile-grade—universal player and listen to SACDs via its good-sounding analog outputs. But good-sounding universal players are becoming scarce.

Jason Victor Serinus  |  Apr 23, 2020  |  57 comments
On Tuesday, April 21, 20 major high-end audio manufacturers sent an open letter to Joel Davis, founder and CEO of JD Events, urging him to immediately cancel AXPONA 2020 or offer "the option of withdrawal and an immediate refund." The letter argues that the COVID-19 pandemic "has clearly altered [the audio] landscape out of all recognition" and disputes the viability of the show's rescheduled dates from April to August 9-11.
Herb Reichert  |  Apr 23, 2020  |  10 comments
My writing desk looks out over a large garden with chickens, bees, and feral cats. My chair sits only six feet from loudspeakers, playing softly on my left. Between the speakers sits whatever painting I am working on. That painting hangs no more than 10 feet from the oscilloscope and drill press in my kitchen. Best of all, my desk is only six feet from squadrons of ravenous sparrows attacking the suet cage on the fence outside my window.
Kalman Rubinson  |  Apr 22, 2020  |  56 comments
Back in the Dark Ages, loudspeaker design was commonly based on semi-enlightened experimentation, with new enclosure configurations appearing almost monthly in professional and consumer journals. One of those, published in Wireless World in October of 1965, was A.R. Bailey's transmission line, a long, selectively resistive, folded-and-sometimes-tapered tube that loaded the back of the (woofer) driver for low-bass reinforcement.
Art Dudley  |  Apr 21, 2020  |  47 comments
It may come as no surprise that the two Recommended Components issues we publish every year, in April and October, are Stereophile's most popular. Both go hand-in-hand with increases in single-copy sales and subscription requests, and it's worth noting that equipment and record suppliers line up to get their ads into those issues.
Jim Austin  |  Apr 20, 2020  |  42 comments
The High End 2020 show, scheduled to take place in Munich in mid-May, was canceled due to concerns about the coronavirus. The California Audio Show, which usually takes place in late July, is also off, although the reason for its cancelation isn't clear. And as we've just learned, AXPONA, the biggest show in the Western Hemisphere, has been postponed from its original dates (around the time this issue hits mailboxes and newsstands) to the second weekend of August.

The reason, of course, is concern about the spread of COVID-19.

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