Vivid Audio Introduces Giya Cu Loudspeakers
KEF Debuts New Finishes for Blade One Meta and Blade Two Meta
Sennheiser Drops HDB 630 Wireless Headphones
Sponsored: Radiant Acoustics Clarity 6.2 | Technology Introduction
PSB BP7 Subwoofer Unveiled
Apple AirPods Pro 3: First Impressions
Sponsored: Pulsar 121
Sonus faber Announces Amati Supreme Speaker
Sponsored: Symphonia
CH Precision and Audiovector with TechDAS at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

TAVES 2014: Part 1

The Sheraton Center Hotel, venue of the 2014 Toronto Audio Video Entertainment Show (TAVES), represents a marked change from the genteel elegance of the King Edward Hotel, the TAVES venue for the past two years. Built in 1972 in a modern style, the Sheraton offers a lot more space—it also sports one of the most confusing show layouts that I've encountered. There are long corridors leading who-knows-where, and stairs going up and down that may or may not lead to exhibit areas.
Continue Reading »

Nola Metro Grand Reference Gold loudspeaker

For a reviewer, deciding which products to write about is a tricky business. You want to do a professional job of evaluation, but you also want to be able to wrest maximum enjoyment from your music while you do so. Attending audio shows is where reviewers perform sonic triage, weeding out the products that aren't ready for prime time, and making a note of those they wish to invite home after the show.
Continue Reading »

Audio Streams #3

Do you travel? Commute, perhaps? Just like to listen to music privately around the house? No matter—the Astell&Kern AK240 is the luxury choice in high-resolution portable music players (footnote 1). It even comes with a lovely leather case that beautifully cradles its angular beauty. The AK240 can play all of your PCM files, up to a resolution of 24-bit/192kHz, as well as DXD and single- and double-rate DSD, natively, and can do so from its internal storage, from a microSD card, or from your computer via WiFi or a wired connection. It can also function as a DAC or USB-to-TosLink converter. I'm not so sure there's much left wanting.
Continue Reading »

Communication Breakdown

Classical and jazz notwithstanding, an awful lot of new music is highly compressed, processed, and harsh, and it's about time we got used to it. Musicians, producers, and engineers are, in large part, on board with the sound, and any suggestion of making less-compressed recordings, with a wider dynamic range, is met with confused stares, or worse. One superstar producer didn't take kindly to my suggestion that he make two mixes for his new project: the standard compressed one, and another, less-crushed version. That didn't fly; he said there could be only one, the mix approved by him and the band, and that to them, a less-compressed mix wouldn't sound better. This producer is an audiophile, but he's not the least bit interested in making music for audiophiles. Harshness, it seems, isn't just a byproduct of compression; it's an integral part of the sound of today's music.
Continue Reading »

Recording of November 2014: Music for Peter Gunn

Henry Mancini: Music for Peter Gunn
Steven Richman, Harmonie Ensemble/New York (22-piece orchestra)
Harmonia Mundi HMU907624 (CD). 2014. Steven Richman, prod.; Adam Abeshouse, prod., eng., mastering; Bill Siegmund, asst. prod., ed.; Andy Rider, eng. DDD? TT: 51:04
Performance ****½
Sonics ****

To get the full benefit of this album, you must be old enough to remember 1959. Detective shows were the rage. Your parents let you stay up for Richard Diamond, Private Detective, starring David Janssen, and Peter Gunn, starring Craig Stevens. They were the first TV dramas with their own original jazz soundtracks. Pete Rugolo scored Richard Diamond. The RCA LP of Henry Mancini's music for Peter Gunn was a smash. It was on the Billboard charts for two years, and in 1959 won the first-ever Grammy for Album of the Year.

Continue Reading »

Toronto Show Starts Friday

New location, new features, and a more inclusive, consumer electronics-orientated approach: that's the word on the fourth annual Toronto Audio Video Entertainment Show (TAVES). Now ensconced in the Sheraton Centre Hotel in downtown Toronto, which offers far more large exhibit rooms than did TAVES' former venue, the three-day show opens on Friday, October 31 with four floors' worth of audio, video and consumer electronics-oriented exhibits.
Continue Reading »

Sentec EQ11 phono preamplifier

With quiet elegance, the Sentec EQ11 phono stage and equalizer entered my expanding world of gramophone dreams. The EQ11 ($2500) is a modestly sized, tubed phono stage with the industry-standard RIAA phono equalization and five other EQ curves. These additional curves are for records pressed by companies that did not fully or promptly comply with the new, supposedly global industry standard introduced by the Recording Industry Association of America (RIAA) in 1954.
Continue Reading »

Billy Sedlmayr's Charmed Life

Musicians whose careers were derailed by personal demons is a very old tale. Write about music and after a couple decades they all begin to have a similar ring: someone got addicted to something and began blowing off gigs, trashing friendships, and generally lying to themselves and everyone close to them. It usually doesn’t end well. And after they’re gone, “far too soon” (to use the usual bromide), everyone thinks about their own issues while tsk tsk’ing about what could have been done and how awash in self-loathing and focused on ending it all the deceased had eventually become.

Every once in awhile an old friend on this path turns it around and I’m very happy to say that my old friend from Tucson singer/songwriter Billy Sedlmayr has done just that. . .

Continue Reading »

It's the Real Thing!

We are aware that much of what we have to say about reproduced sound in these pages goes completely over the heads of a lot of our readers, simply because they have not heard live, un-amplified music recently enough (if ever) to relate their own listening experiences to our observations. These are the people who tend to have developed a strong mental image of what hi-fi ought to sound like, and it is not surprising that that image should bear little if any resemblance to reality. In most cases, this image of hypothetical perfection involves a broadly sweeping sense of spaciousness, awesome power, floor-shaking low end and silky, velvety highs—rather similar, one might say, to the sound of a Magnificent Magnavox with a couple of extra octaves at each end.
Continue Reading »
Advertisement
Advertisement
Advertisement