My blind date with the Dragonfire Acoustics Mini Dragon DFA 2.1 nearfield monitor system ($10,000), accessorized with its Kimber Kable Axios Goliath cable upgrade ($1500), took place during its coming-out reception at the 2018 Rocky Mountain Audio Fest (RMAF) in Denver. After listening to a 24/96 file of Cassandra Wilson's "Dance to the Drummer Again" on the Dragonfire system, I scribbled in my notebook, "totally absolutely impressive . . . musical flow reigned supreme."
There's no Air Force IV because in East Asia that number is considered bad luckwhich also explains why Japanese golfers shout "Six!" when someone hooks a shot into an adjacent fairway (joke alert).
Here's how it all went down: Earlier this year, I was sent a review sample of a perfectionist-quality platter bearing called the Buddha Bearing, intended for Garrard 301 and 401 turntables. I was happy to receive such an interesting product but slow in trying it, partly because my record player sounded so good at the time that I didn't want to go tearing it all apart, and partly because there were other review samples in line ahead of the Buddha Bearing.
Workers were repairing a roof on an oft-reused movie set, heating asphalt tiles with a blowtorch. Protocol required the repairmen to stick around for one hour until the asphalt had cooled, to guard against fire. But shortly after they left, a fire broke out. Hundreds of firefighters fought it, pulling water from the lake once inhabited by The Creature from the Black Lagoon.
Notice the word "world"—for, EISA, one a European organisation, has gone global, with members from Japan, Hong Kong, Australia—and the United States, where Stereophile is the only member of EISA's Hi-Fi Expert group. (Stereophile's partner publications, Shutterbug and Sound & Vision, are also EISA members—in the Photography and A/V categories, respectively.)
