Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Bowers & Wilkins 800D3 Speakers and DB1 Subwoofers, McIntosh C1100 Preamp, Aurender A30 Server, Solid Tech Racks, Synergistic Research AC Conditioner

When I entered my penultimate Scott Walker Audio room, Kevin Wolff of Bowers & Wilkins was playing outtakes from a 1989 recording by Branford Marsalis. The sound of Marsalis's sax was so distinctive and, to my ears, beautiful that I began to smile. (Trumpet was another instrument whose sound this system conveyed with perfection.) As Kevin segued into a 16/44.1 file of Thomas Dolby's "I Scare Myself," I scribbled in my notebook, "This is a system that reminds you of what the high end is all about."
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Gryphon Pandora Preamplifier, Magico S5 MkII Speakers, Sonorus Reel-to-Reel Deck, Acoustic Signature Storm Turntable, Synergistic Research cables, Artesiana Racks

Oh boy, was soundstaging excitingly three-dimensional in the Scott Walker room that headlined Gryphon electronics. Listening to 15ips tapes played on a Sonorus reel-to-reel deck ($19,500) by Philip O'Hanlon, of Gryphon distributor On a Higher Note, the extraordinary depth on Sarah Vaughan's "When Your Lover Has Gone" certainly seized my attention.

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VAC Master Signature Preamp, Magico M2 Speakers, MSB Premiere DAC, Synergistic Research Cables, Power Tech Stand

Tonal beauty, clarity, and transparency were just some of the hallmarks of a system that, to my ears, was musical to a "T." (Should that be "M"?) I loved the warm yet neutral sound of a recording by Ana Caram—I detected no extra "tube-like" sweetness, for example—and the system's ability to present music with a quality I can best describe as "grace": not scientific, I know, but when the spirit moves you, the least you can do is acknowledge it.
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Magico A3 Speakers, Constellation Argo Amp, MSB Discrete DAC, Aurender ACS10 Server, Synergistic Research Accessories

In the second Scott Walker Audio room I visited—since I visited five of them, I know it's going to start sounding like "Five power cables, four balanced interconnects, three phono cartridges, two mighty monoblocks, and a speaker shaped like a pear tree," but it really did sound like Christmas in most of these rooms—the Constellation Argo integrated amp ($29,000), Magico A3 Speakers ($12,300/pair), and MSB Discrete DAC ($12,500) vied for pride of place with an Aurender ACS10 server ($6000) and Synergistic Research PowerCell 12 UEF SE Power Conditioner ($6,495), Atmosphere cabling ($18,500), and various room acoustics products ($3,500), plus a Solid Tech Rack ($2,600).
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Synergistic Research PowerCell AC Conditioner, McIntosh MC462 Amp, Elac Adante Speakers, Bluesound Streamer

Scott Walker Audio staked out its own mini-empire at the Hilton Long Beach, occupying six of the hotel's largest suites on the third floor. The first one I encountered revealed the inimitable Ted Denney of Synergistic Research staging a pretty ballsy demo. Ted set up two identical systems in adjacent rooms, both with a McIntosh C2600 tube preamp ($7500) and MC462 Amplifier ($9000), Elac Adante AF61 floorstanding speakers ($4995/pair), Bluesound Node 2i streamer ($500), and Solid Tech Rack ($2600). The difference was that one system took advantage of a Synergistic Research PowerCell 8 UEF SE power conditioner ($2995), new Synergistic Research entry-level Foundation interconnect and speaker cables plus UEF Blue power cords ($4000), and a host of various Synergistic Research room acoustic products ($6500), which in my experience are quite effective if nonetheless baffling to many.
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Farewell to the Paper Cone

Ever since the first electrical loudspeaker—a glorified headphone with a horn on it—was outmoded by the balanced-armature cone speaker, paper has been the standard diaphragm material for speakers reproducing low frequencies. The Rice-Kellogg moving-coil transducer replaced the balanced-armature driving system in 1925, but the paper cone remained. And although many improvements have since been made, were no more major changes in loudspeaker design for over 30 years!
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Theta DS Pro Generation III digital processor

A visiting manufacturer recently expressed the idea that digital processors and transports are the worst value in high-end audio. He contended that, because they all sound bad, their differences and degrees of imperfection are meaningless. In his view, the very best digital differed very little from the worst. His advice? Buy a moderately priced CD player and enjoy your LPs.
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