Audio Skies Michael Vamos - YG Acoustics, JMF Audio, Ideon at Capital Audiofest 2025
The Listening Room and Fidelity Imports - Diptyque DP-160 Mk.2 at Capital Audiofest 2025
Fidelity Imports Audia Flight and Perlisten System
Fidelity Imports Wilson Benesch and Audia Flight System at Capital Audiofest 2025
J Sikora Aspire, Innuos Stream 3, Aurender N50, Gryphon Antileon Revelation, Command Performance AV
Bella Sound Kalalau Preamplifier: Interview with Mike Vice
BorderPatrol Zola DAC – Gary Dews at Capital Audiofest 2025
Audio Note UK TT3 Reference Turntable Debut at Capital Audiofest 2025
Kevin Hayes of VAC at Capital Audiofest 2025
2WA Group debuts Aequo Ensium at Capital Audiofest 2025
Capital Audiofest 2025 lobby marketplace walk through day one
Lucca Chesky Introduces the LC2 Loudspeaker at Capital Audiofest 2025
Capital Audiofest 2025 Gary Gill interview
Sponsored: Pulsar 121
Acora and VAC together at Capital Audiofest 2025
Scott Walker Audio & Synergistic Research at Capital Audiofest 2025: Atmosphere LogiQ debut
Sponsored: Symphonia
Sponsored: Symphonia Colors

LATEST ADDITIONS

Naim Mu-so 2nd Generation music system

The fog hung ominously thick as I climbed the 194 steps leading up to Red Rocks Amphitheatre. I'd been in Denver for the 2018 Rocky Mountain Audio Fest, and the weather had suddenly turned damp and cold—unusually so for early October. Due to dense fog and possible ice, my drive in from another Colorado city had been slowed. Though I'm in good shape, I was unaccustomed to the altitude, which also slowed my pace. So, I was arriving shortly after the opening act had started.
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Gramophone Dreams #41: Auris Nirvana headphone amplifier & Focal Stellia Casque de Musique headphones

"Future generations will be able to condense into the brief space of twenty minutes the tone pictures of a lifetime—five minutes of childish prattle, five moments embalming the last feeble utterances from the death-bed. Will this not seem like holding veritable communion with immortality?"—Berliner Gramophone Company ca 1877
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Jonathan Weiss: Oswalds Mill Audio & Fleetwood Sound Company

Jonathan Weiss doesn't do things the ordinary way. Nor does he follow the usual audio industry processes.

In 2006, Weiss founded Oswalds Mill Audio (OMA), manufacturer of a range of high-end loudspeakers and other products with exotic, vintage-inspired approaches and designs. Serious handcraft and bespoke materials, from solid hardwood enclosures to leather from luxury makers Hermès and Jean Rousseau, are behind OMA's upper-echelon pricing.

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NAD Masters Series M33 streaming integrated amplifier

On the cold and sunny morning of February 19, 2020, a dozen or so audio critics and writers gathered at Gilmore's Sound Advice on New York's far West Side to see some new NAD and DALI products that had been unveiled the prior month at CES. It was a friendly group, and we kibitzed over coffee before clustering in the arranged seats for presentations and auditions. I doubt any of us realized that it would be the last time for the foreseeable future that we would experience this familiar rite.
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Recommended Components: Fall 2020 Edition

All products listed here have been formally reviewed in Stereophile. We consider all the products listed, regardless of rating, to be genuinely recommendable.

Products are listed in alphabetical order within classes, each followed by a brief description of its performance characteristics and a note indicating the issue of Stereophile in which its review, and in some cases Follow-Up reports, appeared; ie, "Vol.42 No.6" indicates our June 2019 issue.

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A Musical Inheritance

When I was a child, my father was a dealer in black-market records. We lived on what was then the outskirts of Moscow, in what was then the Union of Soviet Socialist Republics. It was the 1970s, and our nation's record stores only sold discs of domestic manufacture, most of them wooly-sounding classical recordings on the Melodiya label. This meant that a healthy contingent of Muscovites valued records smuggled from what they referred to in hushed tones as "The West" more than just about anything else their rubles could buy.
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Revinylization #10: Bill Evans's Live at Montreux

The late pianist Bill Evans may be the most reissued jazz musician in the catalogs of audiophile record labels. There are reasons for that: He played standards, mainly ballads (many audiophiles shun the avantgarde), almost never in groups larger than trios (stereo systems often do best with small-scale ensembles). Whether by design or chance, his best recordings were miked by superb engineers. Perhaps because of that, proprietors of high-end labels have cherished Evans's music with heightened passion.
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