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I was doing my press beat for Stereophile in the hallway of Montreal's 2019 Audiofest when I glimpsed something that stopped me in my tracks. It was a marketing slogan, across the room on importer/exhibitor Goerner Audio's floorstanding banner: "Tubes or semiconductors? Magneto-solid technology amplifies emotions."

I've written before in this space that to me the most wondrous aspect of our avocation (apart from the music) is the way it exists at the intersection of logic and emotion, of science and art. The equipment we use is made by engineers applying scientific principles, yet its goal is to deliver sensual pleasure. Both viewpoints are valid.

At High End Mässan 2015—Stockholm, Sweden's big audio show—Marten planned to show off its finest loudspeaker to the hometown crowd. Marten took the hotel's largest demo room, located at the prime location at the top of the stairs, at the entry point to the 2nd floor exhibition space. There, Marten set up a super system (see photo below) featuring the Coltrane Supreme 2 loudspeaker, a towering monolith probably intended more for Asian consumption than for Swedes to bring home to their modest digs. In preshow demos, the Coltranes filled the large room with impressively transparent and effortless sound that was sure to impress show attendees.

Two of the followup reviews that were published in the November 2020 issue of Stereophile have been posted to the magazine's website: Herb Reichert on the Yamaha A-S3200 integrated amplifier and the measurements of the Denafrips Ares II and Terminator D/A processors.

Once upon a time, reviews of Musical Fidelity components frequently filled pages in Stereophile. But in all my years covering audio shows, I can't recall blogging about any of the company's products, not even once. So, when my editor offered a review of the new M8xi ($6490), a hefty 101lb dual-mono integrated amplifier that includes a DAC, I seized the opportunity to fill a black hole in my consciousness. (Kindly cast aside thoughts that it would take more than a hunk of audio equipment to fill the black hole in my brain.) As long as I didn't break my back lifting the M8xi, solo, to the top shelf of my rack—for this I humbly beg assistance from spouses, neighbors, and friends—new vistas were in store.

At $1295, the Tercet Mk.III represents a step up from CAL's $750 Icon, which I enthusiastically recommended back in April 1990 (Vol.13 No 4, footnote 1). Externally, with the exception of a wider and slightly thicker front panel, it appears to be a carbon copy of that unit. Like the other products in California Audio Lab's stable, the Tercet Mk.III is designed from the ground up in-house.

In 2013, when I first wrote about it (footnote 1), the TechDAS Air Force One ($105,000) was that company's best and most expensive turntable; it joined the handful of products that have earned an A+ in our semiannual Recommended Components feature—a rating that remained in place for six years. But too much time has passed since the Air Force One was auditioned by a Stereophile writer, so it has now fallen from that list.