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The German loudspeaker and cable manufacturer released its new Divin Sovereign Referenz Subwoofer ($29,500, with extra charges for special Black 24k Gold, White, and White 24k Gold finishes). Demonstrated with Göbel's Divin Marquis loudspeaker that John Atkinson reviewed in October 2020 and billed as the company's "ultimate benchmark," the active, DSP-controlled, closed-chamber sub includes an 18" driver in a resin-bound composite board cabinet with "massive acoustic baffles" of 75mm maximum thickness and extensive internal bracing. Weight is 145kg—that's almost 320lb—dimensions are nearly as major, frequency response is 10–200Hz depending upon DSP filters, and total output power is 2500W.

Ease was the order of the day in the Marten/Jorma room. Soprano Anna Moffo sounded just lovely, with superb air and open soundstaging, on an LP of her singing the "Jewel Song" from Gounod's Faust. Ditto for pianist Byron Janis, whose superb-sounding recording of Rachmaninov's Third Piano Concerto graced a prized Mercury Living Presence LP. Deserving of honor was Swedish manufacturer Marten's new Mingus Quintet 2 loudspeakers (€62,000/pair, equivalent to US$66,100). This replacement for the original Mingus Quintet boasts a new midrange driver, lower distortion, higher sensitivity, a new crossover, and a less resonant cabinet than the previous model.

In a room that vied for recognition as the hottest enclosed space on the hottest floor on the hottest day of Munich High End, 45-year-old Burmester Audio introduced its new CEO, Industrial Engineer Frank Weise, and at least four new products.

At a well-organized Munich press conference, Danish speaker company Raidho, now owned by Dantax, introduced the successor to the X1, the Raidho X1t Super Mini Monitor (€5800, presumably for the pair and equivalent to US$6210). The speaker is equipped with the company's planar-magnetic ribbon tweeter, which claims 50 times less mass than conventional dome tweeters; a 5.25" tantalum-coated ceramic-on-aluminum midbass driver, which claims to raise breakup modes to 15kHz; and a rear port. Frequency range is 70Hz–50kHz, impedance >6 ohms, sensitivity 85dB, and black piano and white piano finishes.

Finally, after three dark years of COVID-related cancellations and postponements, one of audiophilia's biggest and most important shows, Munich High End 2022, took place on Thursday–Sunday, May 19–22, at the city's huge MOC.

Unless you live under a rock, you've followed Russia's invasion of Ukraine. You know something about sanctions against Russia and Russia's responses to those sanctions. If, in addition to not living under a rock, you're a tube-audio aficionado or electric guitar nut, you may have thought about a likely consequence of that war that's far less momentous than the destruction and carnage we see on TV: Will I be able to get new tubes for my amplifier? Especially those lovely Russia-made tubes.

National pride is the damnedest thing. When I was growing up in the Netherlands, schoolchildren were taught that the inventor of the printing press was a Dutchman named Laurens Janszoon Coster. Germany's Johannes Gutenberg was waved away as an also-ran, if he was mentioned at all.