LATEST ADDITIONS

Jim Austin  |  Nov 12, 2019
"There are simply two kinds of music, good music and the other kind . . . the only yardstick by which the result should be judged is simply that of how it sounds."—Duke Ellington

Before I became Stereophile's editor—when I still had time for such things—I would occasionally pack up a camera and some lenses, get in my truck, and drive, usually south, in pursuit of good images and sounds. I'd spend a couple of weeks on the road, stopping to take pictures whenever I came across a picturesque town or valley or an abandoned drive-in theater. I'd try to end the day in some city or town that was likely to have live music. A couple of times on every trip, I'd find myself approaching an especially musical place: Clarksdale. Memphis. New Orleans.

Stereophile Staff  |  Nov 11, 2019
Please join Suncoast Audio in Sarasota, Florida, for the MBL X-treme Roadshow on Saturday, November 16th. Jeremy and Tara Bryan from MBL North America will present the 101 X-treme Radialstrahler loudspeaker system driven by MBL’s Reference Line Electronics.
Stereophile Staff  |  Nov 11, 2019
On Thursday, November 14, from 5–9pm, the Innovative Audio Video Showrooms at 150 E. 58th St, NYC, will host Richard Fryer, the Founder and President of Spectral Audio, to celebrate their more than 40 years of producing state-of-the-art music components with the East Coast debut of the DMA-300SV Reference Standard Stereo Amplifier.
Stereophile Staff  |  Nov 11, 2019
Thursday, November 14, 6–9pm: Join Denver, Colorado's Soundings Fine Audio Video for an evening of Hifi awesomeness as they host friends and representatives from Boulder Amplifiers, Rockport Technologies, and Nordost Cables. The event will include the worldwide debut of the Boulder 866 integrated amplifier.
Jonathan Scull  |  Nov 08, 2019  |  First Published: Apr 01, 1995
As the sides of the slim-line Timbre Technology TT-1 DAC are radiused rather than flat, it's elegant compared to its typical boxy competition. While the TT-1's handsome shape stands out more than your average audiophile device, its curved sides help create a stronger, less resonant shape than the usual box, and serve as just one of the many elements contributing to a high degree of mechanical integrity and damping.
Robert Harley  |  Nov 08, 2019  |  First Published: Oct 01, 1992
Looking at the Digital Link II's build quality and circuitry, it's hard to believe that it can sell for $499 at retail. The Digital Link II shares the same appearance as PS Audio's SuperLink and UltraLink processors, but has a 4"-shorter chassis. The ¼"-thick front panel uses PS Audio's familiar touch-sensitive switches that turn the unit on and select between coaxial and optical inputs. LEDs above these switches indicate when the unit is locked to the digital source. A third LED illuminates when power is applied.
Herb Reichert  |  Nov 07, 2019
Some products I review touch my heart and affect how I see all other products that I review afterwards. VK Audio's made-in-Japan $1785 EleKit TU-8600R 300B single-ended tube amp kit was one of those. This amp uses Swedish-made Lundahl transformers (and super-premium parts) to deliver near-state-of-the-art performance at a price anyone with a soldering iron could afford.
Ken Micallef  |  Nov 07, 2019
Veteran Palo Alto, California distributor Audio Federation presented a system that included large horn-loaded speakers and Audio Note UK gear, two of my favorite things.
J. Gordon Holt  |  Nov 06, 2019  |  First Published: Oct 01, 1974
We have still not received a pair of these for formal testing, which may be a good thing in view of our feelings these days about "updatings." (Our feelings about such are clarified in this issue's "As We See It.")
J. Gordon Holt  |  Nov 06, 2019  |  First Published: Jun 01, 1970
The Revox A-77 has extremely good speed regulation, vanishingly low wow and flutter, very low noise, superb tape handling, and the smoothest, widest-range frequency response of any recorder we have ever tested.

The portable version, with built-in monitor amps and speakers, is very compact for a machine with 10½ reel capacity, and is easily carried by one person. Now that the later version is equipped with a flutter-filtering tension arm, our only criticism of the A-77 is its use of three-circuit jacks for the micro phone inputs instead of the XLR-type receptacles that are considered to be "standard" in the US for on-location audio recording.

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