Larry Birnbaum

Larry Birnbaum, Thomas Conrad  |  Apr 15, 2022  |  0 comments
Harold Mabern: Mabern Plays Coltrane, Paul Jost Quartet: While We Were Gone and Various Artists: Buena Vista Social Club 25th Anniversary Edition.
Larry Birnbaum  |  Dec 01, 2021  |  0 comments
In the early 1970s, my hometown—Chicago—was a hotbed of blues. I discovered the blues in high school via the Rolling Stones, and I began to frequent the city's blues clubs as a college student, at first while still underage. From Theresa's, the South Side tavern where Junior Wells performed, I progressed to the West Side, where on weekends I would head down Madison Street to see Howlin' Wolf at Big Duke's Blue Flame Lounge.
Larry Birnbaum, Thomas Conrad, Fred Kaplan  |  Aug 06, 2021  |  2 comments
Gil Evans Orchestra: Out of the Cool, Harold Land: Westward Bound!, Hasaan Ibn Ali: Metaphysics: The Lost Atlantic Album and Chris Potter Circuits Trio: Sunrise Reprise.
Larry Birnbaum, Thomas Conrad, Kurt Gottschalk  |  Jul 09, 2021  |  1 comments
Punkt.Vrt.Plastik: Somit, Ben Goldberg: Everything Happens to Be, John Patitucci, Vinnie Colaiuta, Bill Cunliffe: Trio, Enrico Morello: Cyclic Signs, Ches Smith and We All Break: Path of Seven Colors and Dan Wilson: Vessels of Wood and Earth.
Larry Birnbaum, Thomas Conrad, Fred Kaplan  |  Dec 31, 2020  |  2 comments
Fred Hersch: Songs from Home, Horace Silver Quintet: Further Explorations, Juliet Kurtzman/Pete Malinverni: Candlelight: Love in the Time of Cholera and Matthew Shipp Trio: The Unidentifiable.
Larry Birnbaum  |  Dec 24, 2013  |  First Published: Jan 01, 2014  |  0 comments
Various Artists: The Rise & Fall of Paramount Records 1917–1927, Volume One
Third Man/Revenant (6 LPs, USB drive). 1917–27/2013. Alex van der Tuuk, Jack White, Dean Blackwood, prods.; Christopher C. King, David Glasser, Anna Frick, remastering. A–D. TT: 4:12:39 (LPs only)
Performance *****
Sonics Historical

Launched in 1917, Paramount Records initially recorded conventional pop music, such as Arthur Fields's "Good Morning, Mr. Zip, Zip, Zip." But with the hiring of J. Mayo Williams as a talent scout and producer in 1924, Paramount became one of the leading suppliers of "race" records, as discs marketed to African-Americans were then called. For the next decade, Paramount recorded some of the most important blues, jazz, and gospel artists of the era, along with country and pop musicians.

Larry Birnbaum  |  Oct 18, 1998  |  0 comments
ORCHESTRE NATIONAL DE BARBÈS: Orchestre National de Barbès
Larbi Dida, vocals; Youcef Boukella, vocals, bass; Aziz Sahmaqui, vocals, percussion; Fateh Benlala, vocals, mandolin; Fathilla Ghoggal, Olivier Louvel, guitar; Alain Debiossat, soprano sax; Toufik Mimouni, Jean Baptiste Ferr, keyboards; Ahmed Bensidhoune, bendir, darbouka; Kamel Tenfiche, vocals, percussion; Karim Ziad, karkabous; Michel Petry, drums
Tinder 42853192 (CD). 1998. Tajmaat, Djilali Aichioune, prods.; Luis Saldanha, Antoine Illouz, Delphine Presle, engs. AAD? TT: 78:33
Performance *****
Sonics ****
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