Electrocompaniet + Ø Audio at High End Munich 2025
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
CH Precision and Audiovector with TechDAS at High End Munich 2025
Innuos Unveils Stream3 & Stream1—Modular Server/Streamer Lineup Explained | AXPONA 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
ELAC's Andrew Jones Talks Loudspeakers | Stereophile

LATEST ADDITIONS

Quad 33 preamplifier & Quad 303 power amplifier

Launched in 1967, Quad's highly original, elegantly styled 33 preamplifier and 303 power amplifier were Quad's first all–solid state designs and among the first solid state separates. The 303 may have been one of the first "vertical" amplifiers. Together with the 405 stereo amplifier, which came out in 1975, and the FM2 and FM3 tuners, these products proved to be enduring, widely feted successes from their launch until they were discontinued, the 33 in 1982, the 303 in 1985. Meanwhile, they enjoyed massive production runs, were marketed worldwide, and were much admired for their modern industrial design. It's said that Quad sold 120,000 33 preamps and 100,000 303 amplifiers. Across two versions, the 405 sold even more.

Quad introduced new versions of the 33 and 303 (each component $1599) in 2024, apparently moved to do so by the continuing hot market for originals.

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Brilliant Corners #28: The McIntosh MC225 and Jerome Sabbagh's Analog Tone Factory

There are things that make me feel so unpleasantly lightheaded that some days I worry my cranium might float away like a helium balloon. Like baby animals generated by AI that I can no longer distinguish from real ones. Skin care for tweens. Headlines about American politics that read like headlines about Turkmenistan. The music of Charli XCX.

And being middle aged. Even the term is a con. At 54, I'm not in the middle of anything, and given the way my back feels in the mornings, the thought of living to 108 fills me with terror. There are things about this stage of life that arrive imperceptibly, and not just the physical frailties. Chief among them is the way one's time on earth begins to feel unsettling and sometimes poignant in its suddenly tangible brevity. Now, when I speak to people in their early 20s, I find myself amazed by their belief that life is brimming with endless possibility and lasts nearly forever. I suppose I might envy them, but I remember being their age and wouldn't relish being that person again.

Fortunately, there's more to middle age than bewilderment at cottagecore and one's worsening nocturia.

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Revinylization #66: Queen Irma Thomas and New Orleans band Galactic

Photo By Katie Sikora.

In 2010, the funky-eclectic New Orleans band Galactic—known today as much for being the owners of the city's storied Tipitina's club as for their music—cut their song "Heart of Steel" with singer Irma Thomas for their album, Ya-Ka-May. The band noticed that Thomas soon included the same tune in the sets that she played with her band. In 2022, Galactic decided to revisit the Thomas connection and came up with the idea of collaborating with her on an entire album of new music.

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SVS and Hegel: A Fine Match

SVS is best known for subwoofers, but the company also makes speakers. Demo'd at T.H.E. Show in Costa Mesa were a couple of examples: the SVS Ultra Evolution Pinnacle flagship towers ($2500/each or $5000/pair), which were playing when I visited the room, and a pair of rear-ported Ultra Evolution standmounts ($1200/pair; stands not included), which were set up in a system with the SVS SB-5000 R|Evolution subwoofer ($2000), which debuted at AXPONA.
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Munich Was Wunderbar. Vienna's Next—If You Can Afford the Room

This photo of the vast Munich venue, taken near closing time on the last day of the 2025 audio show, wraps up Stereophile's coverage.

Despite the impact of the Trump tariffs, Munich attendance figures were again impressive. With 323,000 square feet of exhibition space—that's seven and a half acres!—High End Munich '25 welcomed 10,562 trade visitors from 87 countries; 11,675 consumer attendees from 63 countries; and 581 media representatives from 43 countries. While the Munich event may not be audio's most popular—depending on how you count attendees, the Hong Kong, Warsaw, and AXPONA shows may attract more unique visitors—it is unquestionably the meeting place for consumers and distributors.

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KLH Model Seven: a 13" Woofer in a Standmount, and a Design That Still Sings

The reborn US brand KLH debuted its Model Seven loudspeaker ($5998/pair) at High End Munich, proclaiming it the first of its kind: an acoustic suspension speaker with a 13" woofer.

KLH and acoustic suspension designs go hand in hand. Co-founder Henry Kloss helped introduce the concept in the mid-50s and established KLH in 1957. The key principle is to use the spring effect of air in a sealed cabinet to control the woofer's movement.

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Comments Retired, Letters Welcome: We’re All Ears

Dear readers,

Thank you for being an engaged part of the Stereophile community. We have retired the in-page commenting feature on our website, but we still want to hear from you.

Please email your thoughts, questions, and system notes to: STletters@stereophile.com

Selected letters will continue to appear in the magazine and online. Your feedback shapes our reporting and reviews. We appreciate every note you send.

—The Stereophile team

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