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TAVES 2015 presented the World Premiere of the ACA Seraphim Skogrand Edition speakers ($58,500/pair), with Skogrand cable CEO/Designer Knut Skogrand (above) on hand for the event. "Manufactured in a small workshop in the mountain hills of Norway," Skogrand cables are designed to "let any system perform at its full potential." This search for perfection does not come cheap: a 3m pair of SC Beethoven speaker cables costs $32,500!

In its latest new location, the Hilton Westchester in Rye Brook, NY, the 2015 edition of the three-day New York Audio Show kicks off on Friday, November 6. The hotel, which is located on 37 acres of woodlands, comes complete with what are reported to be "panoramic view of lush gardens," two swimming pools, tennis courts, whirlpool, sauna, spa, fitness room, walking and jogging trails. While that may be of interest only to out-of-towners staying for the weekend, local guests will want to learn that the venue is a five-minute cab ride from the nearest Metro North train station (think Madmen), and offers free parking.

Cellist Vincent Bélanger (above) is getting to be a fixture at audio shows, the sound of the instrument and Bélanger's impeccable musicianship always serving as a welcome reminder of what our hobby is all about. He played at the party TAVES put on for the industry and media in a large ballroom, and first apologized that the sounds he was about to make were not nearly as loud as people were used to in the demo rooms. I think there's a lesson in there—and it's not that Bélanger was playing too softly!

Like baking bread or watering my garden, playing records in my monk's cell is an expression of my devotion to living mindfully. It is part of my search for identity and comfort. It shows me how my thoughts, feelings, and poetic imagination fit in with yours, Keith Jarrett's, and everyone else's. The only problem: Often, the stereo components that most enhance my experiences of devotion and identity are not those that I can sincerely declare to be the most accurate or neutral.

I first saw Benchmark's AHB2 stereo power amplifier at the 2013 Convention of the Audio Engineering Society, in New York City. On silent display in Benchmark's booth on the convention floor, its compact size and comprehensive features made the amp immediately attractive, and the design was described as a departure from traditional analog and digital amplifiers. It was also explained to me that the AHB2 was based on designs by Benchmark's founder, Allen H. Burdick (whose initials it bears). By the time of Burdick's retirement, in 2006, Benchmark didn't yet offer a power amplifier, but the company used a prototype based on his work to evaluate their new digital products, and that amp was soon developed as a commercial product; Burdick died just weeks before the AHB2, now named in his honor, was shown at the 2013 AES convention.

I first met electronics engineer John Dawson in 1979, at a British audio show. The company he'd co-founded, A&R Cambridge, had just launched the A60, a slim, elegant-looking, 40Wpc integrated amplifier costing only £99 (then equivalent to $217).

By the time I reviewed the Mk.2 version, in the October 1984 issue of Hi-Fi News & Record Review, the A60's price had risen to £199 ($248), the company was now called Arcam, and more than 22,000 A60s had been sold, making it one of the best-selling amplifiers in England. While preparing that review I had visited Arcam's factory, near the English town of Ely, where Dawson had shown me filing cabinets containing a separate manufacturing report for each and every one of those A60s.