Robert Baird

January 2023 Rock/Pop Record Reviews
Music and Recording Reviews
Robert Baird, Phil Brett, Anne E. Johnson  |  Jan 13, 2023  |  0 comments
David Bowie: Divine Symmetry (An Alternative Journey Through Hunky Dory), Björk: Fossora and Emily Scott Robinson: Built on Bones.
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Some funky strains from Craft Recordings & Vinyl Me, Please
Aural Robert
Robert Baird  |  Jan 03, 2023  |  1 comments
It's time to address a snarky rumor, a persistent urban legend surrounding music fans who care about listening in the highest quality sound possible. It's been posited from time to time that quality gear and heavy, quiet LP pressings go better with a certain intoxicant—that you have to get high to truly have the fullest possible listening experience.
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December 2022 Jazz Record Reviews
Music and Recording Reviews
Jim Austin, Robert Baird, Thomas Conrad, Sasha Matson  |  Dec 16, 2022  |  1 comments
Ethan Philion: Meditations on Mingus, Jakob Bro, Joe Lovano: Once Around the Room: A Tribute to Paul Motian, Brother Jack McDuff: Moon Rappin', Miles Davis: That's What Happened 1982–1985 (The Bootleg Series, Vol.7), Marshall Gilkes: Cyclic Journey and Noah Garabedian: Consider the Stars Beneath Us.
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Recording of December 2022: Muswell Hillbillies/Everybody's in Show-Biz
Recording of the Month
Robert Baird  |  Nov 16, 2022  |  2 comments
The Kinks: Muswell Hillbillies/Everybody's in Show-Biz
BMG BMGCAT720DBOX (6 LP, 4 CD, Blu-ray). 2022. Ray Davies, Andrew Sandoval, prods.; Mike Bobak, Matt Jaggar, Kevin Gray, others, engs.
Performance ****
Sonics ***½

Despite world-class songwriting and great singing from Ray Davies, solid guitar work from brother Dave, a run of six classic albums from Face to Face (1966) to Muswell Hillbillies (1971), multiple hit singles and albums in the US and the UK, the Kinks are rarely mentioned, on either side of the Atlantic, in the same breath as contemporaries the Beatles and the Rolling Stones. Why is that?

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Aural Robert: The Tipitina's Record Club
Aural Robert
Robert Baird  |  Nov 08, 2022  |  0 comments
Professor Longhair in his living room! Etta James—live—at Tipitina's!! Previously unknown James Booker recordings!!! All of it unreleased and unheard???

In the music world, spare time spurred by COVID closures led to many good ideas and side projects. Few have been better than Tipitina's Record Club (TRC).

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Revinylization #35: John Coltrane's Blue Train Remastered (Twice) for Tone Poet
Revinylization
Robert Baird  |  Nov 03, 2022  |  0 comments
With its indelible Francis Wolff cover image of a pensive John Coltrane bathed in blue, freshly fired by Miles Davis but four months free of heroin, and its confident, accessible music that hints at the genius to come, Coltrane's Blue Train is a timeless jazz masterpiece. The saxophonist's only album as a leader for Blue Note, recorded before his triumphs at Atlantic Records—My Favorite Things and Coltrane Jazz—the boppy Blue Train, which, including the original mono and stereo pressings, had been issued 272 times, remains important for many reasons.
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October 2022 Jazz Record Reviews
Music and Recording Reviews
Robert Baird, Thomas Conrad  |  Oct 07, 2022  |  8 comments
Enrico Rava, Fred Hersch: The Song Is You, Reinier Baas/Jonas Burgwinkel/Kit Downes: Deadeye, Kirk Knuffke Trio: Gravity Without Airs and Anteloper: Pink Dolphins.
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Steve Albini: Serve The Servants
InterviewsMusic and Recording Features
Robert Baird  |  May 29, 2018  |  11 comments
Notoriously opinionated and obstinate Steve Albini, a guy ever vigilant and vocal about the wicked ways of the music business, showing up in Austin, Texas, at the annual South by Southwest festival? This I had to see. After a near-miss at his Austin hotel, we spoke the next morning on the phone.

"It was unspeakable on all levels, as bad as I imagined, and in some ways worse."

Any notion that he'd somehow softened, somehow accepted the music biz as it—

Wait. What the hell am I thinking?

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Recording of June 2018: After Bach
Recording of the Month
Robert Baird  |  May 18, 2018  |  3 comments
Brad Mehldau: After Bach
Brad Mehldau, piano
Nonesuch 7559-79318-0 (CD). 2018. Robert Hurwitz, exec. prod.; Tom Korkidis, prod. coord.; Tom Lazarus, eng., mix, mastering; Brad Montgomery, mix. ADD? TT: 69:24
Performance *****
Sonics *****

That American jazz pianist Brad Mehldau has made a recording of J.S. Bach's music should come as no great surprise to anyone who's followed his extraordinarily varied career. In many ways, it seems a natural progression.

Having become one of the most important jazz pianists of this century, and dabbled in classical-flavored music, film scores, and even performances of popular music (by Oasis Soundgarden and Nick Drake, to name just a few of the artists he's covered), Mehldau has finally gotten around to recording this album of five pieces by one of the greatest keyboard improvisers in history. Mehldau's method here is to play a more or less straight version of a Bach prelude or fugue from The Well-Tempered Clavier, BWV 846–893, followed by his own "After Bach" reimagining of the same piece.

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National Sawdust: An Artistic Incubator
Music and Recording Features
Robert Baird  |  May 08, 2018  |  1 comments
Saturday night in hipster Brooklyn . . . yet there could have been actual sawdust on the floor. Inside National Sawdust, a youngish crowd, many clearly ready to party, were shuffling, some were full-blown jitterbugging, while onstage the Lost Bayou Ramblers, a progressive young Cajun band who'd at first seemed a bit awed by their futuristic surroundings, were slugging beers, sawing a fiddle, squeezing an accordion, and generally finding their groove.
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