Stephen Mejias

John Atkinson and Bill Leebens catching some rays.

There's live entertainment from noon to 6pm, daily, at the poolside bar. Isn't that great? Shouldn't every hi-fi show be set around a pool?

As Jason Victor Serinus mentioned last week, T.H.E. Show Newport Beach is now being held at two hotels&#151the larger Hilton (T.H.E. Show Newport West) and the Atrium (T.H.E. Show Newport East), shown here.

Dope Body’s Drag City debut, Natural History, was released earlier this week. It kills. You’ll read (I hope) in my July, August, and September “Entry Level” columns that I use the album to evaluate the rocking capabilities of the PSB Alpha B1, Polk RTi A3, Definitive Audio SM 45, and Tannoy Mercury V1 loudspeakers&#151all worthwhile choices.

I have no real foundation on which to discuss the merits or shortcomings of symphonic music&#151I’m too busy contemplating Drake, Mike Posner, and Nicki Minaj&#151but I have heard that the Ninth is considered “the cursed” symphony.

I think it begins with Beethoven, who died after completing his Ninth. Mahler, I’ve read, was so disturbed by the thought of a Ninth, that, after completing his Eight, he tried to dodge The Curse by writing Das Leid von der Erde. But, oh, The Curse can’t be so easily duped: Mahler finally completed a Ninth, but died while working on his Tenth. Gotcha! And we all know what happened to Bruckner. There are at least a dozen other examples, each disputable, surrounded by some level of uncertainty. But, hey, a curse is always good for the history buffs and storytellers. And, as much as anything else, The Curse is what got me interested in Philip Glass’s Ninth.

So, dear Curse, I thank you.

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Before dropping the needle onto Christine's copy of Sold for Prevention of Disease Only, I shot the record a few times with the Milty Zerostat 3 ($100), a blue, gun-shaped gadget that helps eliminate static. Squeezing the Zerostat's thin black trigger releases positive ions; relaxing the trigger produces negative ions. A complete squeeze cycle results in a neutral static condition—one perfectly in balance, neither too heavy nor too light—and my LPs play quietly. This step in my LP-playing routine grew out of necessity and has become a habit. The process is especially important in the cold winter months, when the air in my small apartment is dry, and debris stubbornly clings to my LPs and my cartridge's stylus.