Stereophile Staff

A common question in the audio newsgroups these days is, "Have you tried the new PS Audio Power Plant, and what did you think?" <I>Stereophile</I>'s Robert Deutsch takes a seasoned look at the new product in his review of the <A HREF="http://www.stereophile.com//accessoryreviews/181/">PS Audio P300 Power Plant</A>. Does it live up to all of the hype, and is it true that the P300 is "audaciously original in concept, yet makes so much sense that you wonder why no one ever thought of it before?" Mr. Deutsch explains.

Last week, <A HREF="http://www.Cello.Net">Cello Technologies</A> (formerly Cello Music & Film Systems) announced that it had acquired San Francisco Bay area custom installer and retailer The Audible Difference. According to a statement issued by Cello, The Audible Difference was founded in Palo Alto in 1976 and serves over 10,000 clients in the Silicon Valley area, and has 30 employees, "all focusing on audio design and home-systems design engineering, integration, and automation technologies."

Phase One of the <A HREF="http://sdmi.org/">Secure Digital Music Initiative</A> (SDMI) will incorporate watermarking technology for DVD-Audio from <A HREF="http://www.verance.com/">Verance Corporation</A>. The agreement was announced at a meeting of the SDMI in Hawaii early in December. Verance Corp. was formed recently by the merger of ARIS Technologies Corporation and Solana Technology Development Corp. ARIS's technology was announced a few months ago as the SDMI's choice for watermarking.

Time does fly when you're having fun, and it's hard to believe that the <I>Stereophile</I> website is two years old&mdash;so it's time for a party and some presents!

In his third installment of "<A HREF="http://www.stereophile.com//finetunes/173/">Fine Tunes</A>," Jonathan Scull encourages readers to stick their heads in a corner. "Notice how strongly the bass loads up there, how exaggerated and out of control it sounds," he writes. With the help of Jeff Joseph, Scull also reveals a trick for dealing with square rooms.

It is with regret that we announce to <I>Stereophile</I>'s readers the closing of Mobile Fidelity Sound Lab, on November 19, 1999. Known to audiophiles since its inception in 1977, the company provided serious listeners with hundreds of remastered LPs, cassettes, and CDs.

In his second installment of "<A HREF="http://www.stereophile.com//finetunes/171/">Fine Tunes</A>," Jonathan Scull writes: "I met a chap the other day whose wife said to me, 'Oh, you suffer from the same audiophile disease.' I hastened to inform her that I <I>am</I> the disease." But J-10 is also the cure, as he proves in this ode to building the perfect listening room.