Stereophile Staff

The age of digital music downloads has begun in earnest. On July 20, EMI Recorded Music announced that it has signed a deal with Digital On-Demand and its subsidiary, RedDotNet Inc., to make the EMI catalog available for downloading to kiosks in music stores. The kiosks will be equipped with CD "burners" where customers can copy EMI recordings not in stock in the stores. They will also be able to print out the original cover art and liner notes. Discs can be copied at high speed in 5 to 15 minutes using RedDotNet's technology, the announcement noted.

Internet music retailer CDnow has formed a partnership with Sony Corporation and Time Warner to build a music and video retailing behemoth. The July 13 announcement came in the wake of online bookseller Amazon.com's recent move into the music market. With the backing of corporate giants Sony and Time Warner, CDnow could be able to mount a challenge to the growing presence of Amazon, which is also expanding into toy sales and consumer electronics.

According to a recent report released by Information Technology researchers Frost & Sullivan, the world Internet audio market generated revenues totaling $42 million in 1998, which dwarfs the 1997 revenues by 1516%. The report predicts that this market will continue growing at a healthy rate, achieving an increase into the triple percentage digits by the end of 1999.

Wes Phillips writes, "I catch John's eye and wonder if he's pondering the same question I am: What were we thinking?" In addition to trying to push forward the limits of getting great sound onto tape, Stereophile's release of Rhapsody In Blue would offer the public a groundbreaking arrangement of George Gershwin's most popular orchestral work. In "The Rhapsody Project," Hyperion Knight and John Atkinson join Wes in chronicling their perspectives on the processes leading to this landmark recording.