From the June 1999 issue, Jonathan Scull surveys the <A HREF="http://www.stereophile.com/amplificationreviews/699pass">Pass Labs X1000 monoblock power amplifier</A>. JS notes, "Pass Laboratories' X amplifier series represents the efforts of designer Nelson Pass to prove that simple linear amplifier topologies can be scaled to provide high-quality audio performance at <I>very</I> high power levels."
The Home Entertainment 2004 East Show, held in New York City, May 20–23, at the New York Hilton & Towers, gave Show attendees a memorable weekend filled with live music, educational seminars, a special movie night, and a grand concert—all included with the price of admission to the Show.
"It costs as much as a car—and not a used jalopy, either," remarks Michael Fremer. "That's what goes through your head as you contemplate this magnificent $20,190 piece of audio jewelry." The jewelry in question is the <A HREF="http://www.stereophile.com/amplificationreviews/1298jadis">Jadis RC JP80 MC Mk.II preamplifier</A>, which MF compliments for "breathtaking" workmanship and parts quality. He also listens to the thing and reveals what some might consider the most important part: how it sounds.
"Size does matter," John Atkinson discovers, as he fits the <A HREF="http://www.stereophile.com/accessoryreviews/504shure">Shure E3c in-ear headphones</A> into his ears. Once fitted, JA hooks the mini "cans" up to his iPod and PowerBook to discover how much audiophile sound a little set of ear buds can produce.
How does a struggling satellite radio service increase its market exposure more than 20-fold in one fell swoop? Simple. It enters a sweetheart deal with one of the biggest satellite TV companies in North America.
Renowned Canadian pianist Robert Silverman will be signing copies of his
<I>Stereophile</I> CDs at noon on Saturday May 22 at Home Entertainment
2004. Recorded in audiophile sound quality by <I>Stereophile</I> editor
John Atkinson, Robert's recordings include <A
HREF="http://www.stereophile.com/musicrecordings/315"><I>Concert</I></A>,
live performances of works by Bach, Chopin, Schumann, and Schubert; <A
HREF="http://www.stereophile.com/musicrecordings/131"><I>Sonata</I></A>,
featuring Frans Liszt's heroic B-minor Sonata; and the <A
HREF="http://www.stereophile.com/musicrecordings/298">complete Beethoven
Sonatas</A>.
"Is there anything genuinely new under the audio sun?" asks Michael Fremer as he describes the technology behind the <A HREF="http://www.stereophile.com/amplificationreviews/504ta">T+A V10 integrated amplifier</A>. "For the most part, industry cynics say 'No,'" MF remarks, "claiming that most new amplifier designs merely rehash well-worn circuits. [But] T+A developed a new circuit for the V10 that it calls the SPPP, for 'Single Primary Push-Pull.'"
Live music from popular recording artists is on tap for attendees at the Home Entertainment Show coming to NYC May 20—23, 2004 at the Hilton New York Hotel. And best of all—all performances are FREE to all Show attendees!
In a ground-breaking article from May 1990, Robert Harley uncovers the real digital story with "<A HREF="http://www.stereophile.com/reference/590jitter">CD: Jitter, Errors & Magic</A>." Confusion about CD tweaks leads RH "to conduct a scientific examination of several CD 'sonic cure-all' devices and treatments. I wanted to find an objective, measurable phenomenon that explains the undeniable musical differences heard by many listeners where, at least according to established digital audio theory, no differences should exist."
From the April 2004 issue, a must-read for all audiophiles: Keith Howard does the SACD and DVD-Audio math for "<A HREF="http://www.stereophile.com/features/404metrics">New Media Metrics</A>." Using a vast collection of informative graphs, KH explores hi-rez attributes and puzzlers. "In the case of SACD, why provide a potential bandwidth in excess of 1.4MHz, only to fill more than 95% of it with quantization noise?"