Hi-Rez Disc Player/Transport Reviews

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Jim Austin  |  Feb 16, 2022  | 
There's a school of thought that maintains that among all hi-fi components, the D/A converter is easiest to perfect or come close to perfecting. Just make sure that every sample is converted accurately, that there's little rolloff in the audioband, that aliased images are suppressed almost completely, and that background noise is extremely low, and you have a top-quality D/A processor. Use of a high-quality DAC chip is assumed.
Jim Austin  |  May 15, 2020  | 
At the 2019 AXPONA, I took part in one of my first official meetings, as editor of Stereophile, with members of the manufacturing community: the German company T+A. They were presenting in the room of Texas dealer Lone Star Audio, which was owned by the late Jim Hench. They had a corner hallway to themselves: two rooms and, at the time when I arrived, a hallway table brimming with coffee and pastries. Fortuitous timing.
John Atkinson  |  Apr 23, 2019  | 
The good-sounding products that pass through a reviewer's system fall into three categories: those he liked but felt little sense of loss about when they were sent back to the manufacturer or distributor; those he loved and could afford to purchase; and those he loved but that were financially out of reach. The Rossini Player from British company dCS, which I reviewed along with the Rossini Clock in our December 2016 issue, was an example of this last category: the Player costs $28,499, the Clock $7499.
Kalman Rubinson  |  Oct 31, 2017  | 
For some months now, I've lived mostly without music. To survive the dust and grit of the renovation of our Manhattan apartment, all electronics had to be covered with heavy plastic, the speakers encapsulated in large green lawn bags, and the listening room partitioned off with a temporary wall. We could listen to music with our little 3.1-channel TV system in the den (eh) or through headphones (not!), or we could decamp to our house in Connecticut, which we did as much as possible. I felt deprived. Now that it's all over, I'm grateful to have it back—and grateful for the improvements in the main system, some of them direct byproducts of the renovation.
Art Dudley  |  Dec 27, 2016  | 
In 1999, when I first heard a Super Audio Compact Disc, I felt certain that the new format was destined for commercial dominance. Ten years later, when I first played PCM music files through a USB DAC, I felt certain that the SACD was deader than Julius Caesar's dog.

In 2016, it's apparent that I'm not qualified to predict how anything will perform in the marketplace. In my defense, I'm not the only industry bigwig who's made those mistakes; on the other hand, one happily notes that technology and commerce, those inseparable sweethearts, carried on anyway, heedless of our thudding wrongness. The results are hundreds of new SACD releases, scads of new downloadable Direct Stream Digital music files—DSD being the technology on which the SACD is based—and at least one new machine that can play them both: Luxman's D-06u SACD/CD player and USB DAC.

Michael Fremer  |  Jan 04, 2014  |  First Published: Jan 01, 2014  | 
More than a decade ago, Data Conversion Systems, aka dCS, released the Elgar Plus DAC, Purcell upsampler, and Verdi SACD/CD transport, for a total price of $34,000. In 2009 came the Scarlatti—a stack of four components for $80,000, also available individually (see my August 2009 review). The latest variation on the English company's theme are the four Vivaldi components, launched at the end of 2012 for a total price of $108,496.
Kalman Rubinson  |  May 09, 2013  | 
Yes, more Oppos. First off, let's put aside the expected superiority of the D/A conversion and outputs of the BDP-105 ($1199) and state that the BDP-103 ($499) is itself no slouch in these departments. In two or many channels, the '103 was good enough to let me distinguish among various high-resolution media, and to provide me with satisfying enjoyment of music in even the best of systems.
Fred Kaplan  |  May 14, 2012  | 
Around the turn of the century, a review of the latest hair-raisingly expensive turntable would often begin with a soothing chant that, yes, the RotorGazmoTron XT-35000 is a tad pricey, but it will be the last piece of analog gear you ever buy—so go ahead, take the plunge. A dozen years later, pressing plants are stamping out LPs 'round the clock, and new high-end turntables are rolling off production lines at a respectable clip. So who knows whether today's Cassandras might be equally premature in bewailing the death of the Compact Disc? Which is to say that I can't in good conscience urge you to pay $12,000 for a CD player on the grounds that the medium's about to die, so splurge now while there's still something to splurge on. But if you have the scratch, and the itch for such a product, step right up and let me tell you about the Krell Cipher.
John Marks  |  Mar 07, 2011  | 
When US audiophiles think of the oldest firms still making high-performance audio equipment, they usually think of McIntosh Labs, founded in 1948. The UK's Quad traces its corporate origins back to 1936. Japan's Luxman, however, has them both beat: Luxman began making transformers and switches for radio sets in 1925. This is to the good; the company obviously has a sense of history. The iffy part is that Luxman's product line, which blends modern and heritage products, is a bit quirkily confusing. Luxman is by no means alone in having a product line that does not make intuitive sense to the uninitiated. A prime example is Harbeth's having two loudspeakers both costing $5000/pair, the Monitor 30 and the Super HL5.

I discussed Luxman's DU-50 near-universal player ($4990, it plays SACDs, DVD-As, DVD-Vs, and CDs, but not Blu-ray discs) in no fewer than five columns in 2009 (February, April, June, August, October).

Michael Fremer  |  Dec 13, 2010  | 
The old Saab slogan, "Find Your Own Road," was so good that the old General Motors, which once owned Saab, had to kill it—just as the newly revived GM tried, in a "Call It Chevrolet" memo, to kill "Chevy." GM did a U-turn on that one the very next day, but "Find Your Own Road" never returned, and is available for Ayre Acoustics to use. I can't think of a better slogan for a company that I admire almost as much as I do Saab.

Consider this: While Ayre calls its new DX-5 ($10,000) a "universal A/V engine," the disc player doesn't have a coaxial or a TosLink S/PDIF input. That appears crazy to me, but to Ayre, no. They've found their own road.

Michael Fremer  |  Sep 27, 2010  | 
Despite predictions to the contrary, the Compact Disc isn't dying anytime soon. Too many are in circulation, and until a smooth, friendly skin covers the computer interface, the music-server revolution will remain nascent. We're still in a long, shaky period of transition.
Kalman Rubinson  |  Jul 26, 2010  | 
The debate over which audio component is most important in determining the quality of a system's sound is one that has been with us for decades. Recently, it came up in a conversation I had during a visit to a Manhattan high-end shop, when I was told about a discussion on the topic by Ivor Tiefenbrun (of Linn) and David Wilson (of Wilson Audio Specialties). You don't have to be a seasoned audiophile to predict their respective positions, but when I was pressed to take a stand, I paused.
Michael Fremer  |  Jul 12, 2010  | 
In my review in the February 2009 issue of Marantz's SA-11S2 SACD/CD player ($3599.99), I said that "buying [an SACD] player in 2009 necessitates an act of faith similar to the one turntable buyers faced back in 1992." The negative reaction to this from the besieged SACD community was as intense as it was irrational. If they're angry with me, I can only imagine how they feel about Stanley Lipshitz and John Vanderkooy, who presented a white paper at a 2001 Audio Engineering Society convention that claimed to prove that SACD doesn't qualify as a high-fidelity format (footnote 1). How many figurative bags of flaming poop did they leave at their front doors?
Kalman Rubinson  |  Mar 29, 2010  | 
It was only a few months ago that I greeted Oppo Digital's BDP-83 universal Blu-ray player as a breakthrough consumer component, and it became a Runner-Up for Stereophile's Budget Product of 2009. It now appears that Oppo is using the design as a base on which to develop similar and more advanced products, both for themselves and for a good many other manufacturers. Some may take exception to my use of the word manufacturers—if it's an Oppo under the skin, what, precisely, are these other "manufacturers" contributing? Well, that's hardly a new question.
John Marks  |  Feb 26, 2010  | 
February is traditionally the month for music features, so I start this column with some recordings you really should hear. This year I had a greater-than-usual number of worthy candidates for "Records To Die For." Which discs got named as R2D4s and which got column coverage was, to quote the Iron Duke, a near-run thing.

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