Hi-Rez Disc Player/Transport Reviews

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Accuphase DP-100 Super Audio CD transport & DC-101 Digital Processor

What's it take to compete on the bleeding edge of digital? Foresight, commitment of resources, and lots of money. Of course, it's all fundamentally about money, so we shouldn't be surprised that the audiophile's emotional needs aren't paid much respect by the large international manufacturing and marketing concerns stalking the earth today. Megaglom vs Cockroachacus. [Sigh] Where are those pesky miniature princess twins when you need 'em?


Technics DVD-A10 DVD-Audio player

If you search for "DVD-A" on this websitehttp://www.stereophile.com">website;, you can get the whole confusing story of the format, which has been the subject of one of the strangest format launches of recent years: First it's on, then it's off. The watermark is audible. No, it's not. Oops, it is—back to square one. There's software, there's no software. (There's not—only one demo disc officially available in September 2000, when I wrote this review!)


Meridian Digital Theatre surround-sound music system

I am biased: On very little evidence, I remain convinced that, in the near future, high-quality music reproduction will be multichannel. While most multichannel demos are still egregiously and aggressively ping-pong, I have attended a few successful demonstrations of discrete multichannel reproduction that have impressed me so deeply that I hunger to have all the music I love transported to me (and me to it) in this way.

Sony SCD-1 Super Audio CD/CD player

Rarely have I anticipated the arrival of a review component as I did the Sony SCD-1 Super Audio CD player. I'd first heard the machine itself with the enthusiastic audiophile hordes at Chicago's HI-FI '99. I'd also been lucky enough to enjoy a few of the Direct Stream Digital-encoded recordings Tom Jung had made for DMP right off the hard drives of a prototype DSD processor via Ed Meitner electronics. (See my interview with Jung elsewhere in this issue.)

California Audio Labs CL-20 DVD-V/CD player

Recently, we've seen the digital "horsepower" race accelerate with the arrival of digital sources and devices with 24-bit and 96kHz sampling capability. Much of this has been spurred by the 24/96 labels emblazoned on the newer DVD players—and, within the purer confines of the audio community, by high-end DACs with this same ability. Indeed, it's possible that the dCS">http://www.stereophile.com/digitalsourcereviews/259">dCS Elgar DAC, near and dear to John Atkinson's heart and a perennial Class A selection in Stereophile's "Recommended Components," performs so well with standard 16-bit/44.1kHz sources because its wider digital bandwidth permits greater linearity within the more restricted range of regular CDs.


Nagra D open-reel digital recorder

As I write these words, it's the height of the fall catalog season in the Atkinson household. Whole old-growth forests must have died to ensure the everyday stuffed state of our mailbox, which adds to the sense of guilt I feel as I pitch the offenders into the trash without even giving their insides a passing glance. But there are three catalogs I do look forward to receiving, that I read from cover to cover, that I deface with multicolored Post-It notes. The Audio">http://www.audioadvisor.com">Audio Advisor catalog is, of course, a no-brainer for an audiophile. But the Griot's">http://www.griotsgarage.com">Griot's Garage and Levengerhttp://www.levenger.com">Levenger; catalogs get equal billing from me. For both offer tools (used in the widest sense of the word) that appear to have been designed by people who actually use tools, who appear to care about quality, and who appear to feel that a product that breaks while it is being used for its intended task is an offense against God (footnote 1).


T+A MP 3100 HV G3 multisource player

When auditioning a new audio component, I invariably start with some ideas about what I should listen for, based on my preconceptions about the pitfalls and propensities of products in its category. For example, with digital, I'm listening for sound that's awake and unprocessed. With every component, I start by hoping I can spot their colorations and assess their level of importance.
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