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Diamonds in the Disco
John Atkinson  |  Mar 26, 2019  | 
"Got a match?" ("Uh-uh")

"It's a fabulous party! . . . Look at all the fabulous people."

"You wanna dance?" ("Yes I'd love to . . .")

"Let's party a little bit." ("All right . . .")

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Five Things I Learned At Hi-Fi Shows
Rogier van Bakel  |  Jul 24, 2023  | 
"I hope you're decompressing from AXPONA," I recently wrote to a frazzled-looking friend I'd met at this greatest of North American hi-fi shows. Google's spellcheck offered to change decompressing to decomposing. I declined, though it's true that such expos can be grueling—just not grueling enough to stay away.

In these observations about high-end audio shows, fondness is foremost, but a few dark side notes will slip in.

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Forget about the sound of the recording
Jim Anderson  |  Feb 10, 2022  | 
Hello, and Happy New Year! I'm greeting you in October 2021—just before Halloween, in anticipation of Stereophile's publication deadline—but by the time this magazine arrives in your mailbox, it'll be after the holidays.
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From 78 to 24/384
Jason Victor Serinus  |  Mar 27, 2020  | 
When I was 11, my father brought home the voice of tenor Enrico Caruso (1873–1921) in a three-LP box set whose faux leather cover and sepia-tinted photos I admired over and over. When he put on the Sextet from Lucia di Lammermoor, I exclaimed, "Daddy, I've heard that before!"

"Yeah, you broke it when you were 2," he replied.

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Fun with Moose and Squirrel
Jonathan Scull  |  May 26, 2021  | 
'Cause it's hard to say what's real / When you know the way you feel—Flaming Lips, "One More Robot/Sympathy 3000-21," from Yoshimi Battles the Pink Robots

In a recent Zoom meeting, some friends got into a dust-up about how "real"-sounding high-performance audio systems can be. The consensus was that there was no chance at all of real, live sound. A label owner waved it off as impossible: "Fuhgeddaboudit," he said. He's from New York, like me.

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Goodbye to the house Mike Kay built
Jay Jay French  |  Apr 12, 2021  | 
By the time this issue of Stereophile arrives in your mailbox (and on newsstands), Lyric Hi-Fi & Video, the legendary symbol of male-dominated, uber-luxury hi-fi retail, will be closed forever.

This makes me sad. I wasn't just a client of Lyric; I worked there.

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How Scottish Indy put fun back in my life
Phil Brett  |  Mar 05, 2024  | 
There's a famous quote by Lenin, that revolutions cannot stand still; they have to move forward. I'm guessing he wasn't talking about the British punk explosion, but it's applicable. There was a period of time around 1978—when that initial Sex Pistols thrill had subsided—when I thought it was stalling. The new bands started sounding dull, derivative. In all probability, I just had unreasonable demands: that a band should produce iconic albums weekly. I was 17, had just started work, and pretty much thought the world was there for my personal amusement.

Then from the pages of my holy book—New Musical Express—came news from Scotland. Shamefully, back then, my awareness of Scottish music began and ended with Nazareth and the Bay City Rollers. But the NME journos were excitedly talking about two new record labels recently set up north of Hadrian's Wall: Fast Product and Postcard.

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Hymns of the Republic
Tony Scherman  |  Dec 06, 2022  | 
Summer 1959. The concert under the stars in the Wellfleet, Massachusetts, town parking lot was over. Pete Seeger was packing up his banjo as I approached him gingerly—I was 6 years old. I stuck out the notepad I'd been careful to bring. "Can I have your autograph?"

Towering over me, six-three to my three-eight, Seeger said in exasperation, if not outright coldness, "I don't give autographs. I'm not some goddamned star."

Terrified, I stood my ground.

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I conspired to provide material support to an independent record store
Jason Davis  |  Jul 03, 2023  | 
At least I didn't get arrested is a helluva way to begin a story, but then I never expected the FBI to question me about my online record shopping, viewing it as cover for potentially "Conspiring to Provide Material Support" to an international terrorist organization. "We need some information from you," the email said. "We've also temporarily limited certain features in your PayPal account."
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Joan Osborne's Musical Talisman
Mike Mettler  |  Nov 21, 2023  | 
Photo by Laure Crost

We all have at least one cherished album that takes us back to the exact time and place we first heard it. Whenever we hear any of the music from that special album—regardless of whether it occurs months, years, or even decades later, of whether we hear it in the grocery store, on a car radio, or on a friend's playlist—we instantly reconnect with the feelings the music originally evoked within us.

Some of my old gear is boxed up in an offsite storage space, but almost all of my old LPs are within reach. I can reconnect with them and how they make me feel in a flash, with the drop of a needle.

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My Back PagesThink Pieces
Keeping the Audiophile Faith
Carl Thomas Hriczak  |  Jan 02, 2020  | 
It's 9:45 on a mid-September weeknight in Greater Toronto. Having spent the evening reveling in the glory of her 9th birthday—candles blown out, presents open, pleasantly full of Wegmans' Ultimate Chocolate Cake—Our Birthday Girl has one additional request:

"Can we please play 'Happy Birthday Polka'?!"

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Landscape into music
Sasha Matson  |  Feb 03, 2021  | 
It says something about the power of music that some individuals fading into dementia can still recognize the music they knew earlier in their lives. Not to denigrate new music, or music one hasn't heard before, but our mental jukeboxes award top chart numbers to music that we have lived with over time. Those DJs making their playlists in our brain are the toughest of critics. They don't care what anyone else might think, "Close to You" is staying in the rotation. Music and memory are linked.
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Listening Deeply
Jason Victor Serinus  |  Nov 02, 2021  | 
Take a walk at night. Walk so silently that the bottoms of your feet become ears.—Pauline Oliveros, Sonic Meditations

The one activity that distinguishes audiophiles from other music lovers is our practice of sitting in solitude and listening closely to music reproduced on a finely tuned playback system.

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Lou Reed's Dirty Boulevard of Dreams
Kurt Gottschalk  |  Oct 05, 2021  | 
New York City is a dream you can't have—glitz, glamor, grime, too much to take in from within, too much to understand from afar. It's a metropolitan manifestation of the Heisenberg principle, its nature changing with how you look at it. No matter how you try, you can't see the forest for the skyscrapers.
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Love, joy, and listening with the whole brain
Brian Richardson  |  May 31, 2022  | 
In audio reviewing, there's a tension between scientific explanations for the qualities of the sound we hear and how the music, as conveyed through our equipment, makes us feel. Insights from the new field of interpersonal neurobiology can help us understand this conflict.
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