The Legacy Audio Room
If you're a fan of my Stereophile scribble, you know I don't consider myself a fan of stuff like DSP processing, digital amplification, spatial reconstruction, or active room correction—all of which play an important role with Bill Dudleston’s Legacy Audio loudspeakers.
The Lemay Audio Room at Montreal Audiofest 2026
In our latest video interview from Montreal Audiofest 2026, Robert Schryer speaks with Lemay Audio founder François Lemay about the equipment shown in this room, including Lemay Audio Dayton Wright Hommage 7.3 speakers, a Tenor Audio 175 HP amplifier, and a Grimm Audio MU2 server/DAC/preamplifier.
The Los Angeles Audio Show Hits the Ground Running Friday
For a first-time audio show, the Los Angeles Audio Show's (LAAS) June 24 stint in the Sheraton Gateway Hotel, adjacent to LAX, could very well move the bar higher for consumer audio show expectations. With 116 active exhibit roomsparticipation was intentionally capped so that show manager Marine Presson could keep a handle on things during this initial run348 brands and manufacturers, and a >8000ft2 HeadGear Planet with 35 booths in the "affordable section" and another five in the "Xtreme section," this looks like it is going to be one helluva show.
The Lyric Show 2013
Tempo High Fidelity's John Quick, dCS's US distributor, stands beside a dCS Vivaldi stack at Lyric Hi-Fi's annual audio show.
The Lyric Show 2013 was held at Lyric Hi-Fi & Video (1221 Lexington Avenue) in Manhattan, on Friday and Saturday, April 12 and 13. An informal VIP presentation, held on Thursday, April 11, was open to members of the press. Last year, Ariel Bitran and I covered the event; this year, I was on my own.
This year’s event, much like the last, was well-attended. Most guests made their ways casually from one demonstration to the next. Some lingered in between rooms, chatting and enjoying glasses of red or white wine while picking happily at small plates of fine food. Others seemed glued to comfortable seats in one of the several listening rooms. Manufacturer representatives, many of whom were also enjoying refreshments, held tight to iPads and kept close to gorgeous turntables, ready to take music requests. The entire place buzzed with energy and enthusiasm.The Magico Q1 and the Grand Opening of EarsNova
The Magico Q1 two-way monitor, first seen at the California Audio Show earlier this year, will make its New York debut during the Grand Opening of the new EarsNova showroom at 3 East 28th Street, in Manhattan.
The Magico Q3 at Goodwin's High End
Saturday, May 14, 126pm: Goodwin’s High End (899 Main Street, Waltham, MA) will host the public world premiere of the Magico Q3 loudspeaker, sibling to the Q5, which was recently reviewed by Michael Fremer. During the evening, Magico’s Alon Wolf will provide a demonstration and discussion of the Q3. For more info and to RSVP, call (781) 893-9000.
The March Issue Has Arrived
The March 2015 issue has arrived. And it’s an issue of contrasts. Featured on the cover is Theta’s Prometheus monoblock, a class-D tower of power offering 320W into 8 ohms. You’d think that at $12,000/pair the Prometheus was expensive, but its price pales in comparison to the $54,000 Boulder is asking for its state-of-the-art 2110 preamplifier! Fortunately, the 132-page March 2015 Stereophile also features reviews of a very affordable turntable from Pioneer and a high-value tower loudspeaker from DALI.
the mbl X-treme Roadshow Moves to Texas
The last time we checked in, The MBL X-Treme Roadshow was in Sarasota, Florida. It has now moved on to 3mA Audio in Houston, Texas.
The MBL X-treme Roadshow Visits Sarasota, Florida
Please join Suncoast Audio in Sarasota, Florida, for the MBL X-treme Roadshow on Saturday, November 16th. Jeremy and Tara Bryan from MBL North America will present the 101 X-treme Radialstrahler loudspeaker system driven by MBL’s Reference Line Electronics.
The mighty B&W Nautilus 801s, Chord, and Naim wrap up our coverage of the UK's main event.
It's cheating to say that the best sound I've heard at the English Show was at Martin Colloms' house on Saturday night---cheating the same way it is when someone asks that question and I (or some other reviewer) piously responds that some live music event ranks above any exhibitor. Martin, of course, has an advantage over anyone at the Show. He set up his own listening room and had all the time he needed to boot. Even so, his system, consisting of a Krell KRS-25 and FPB 650Ms and Wilson Audio WITT IIs, was astoundingly fast, rhythmic, and dynamic.