Julian Hirsch: 1922–2003
Julian Hirsch, the man who personified the state of audio criticism for nearly half a century, died on November 24 after a long illness.
July July July
Zesto's Téssara tube phono preamplifier takes pride of place on the July Stereophile's cover, to accompany Mikey Fremer's review inside. Add to that Jason Victor Serinus on the expensive Audionet Max monoblocks from Germany, John Atkinson on an affordable DAC from Arcam, Larry Greenhill on the awesome No.536 monoblock from the revitalized Mark Levinson company, Art Dudley on the Lamm L.21 preamplifier and the Serbian Soulines Kubrick DCX turntable, and Herb Reichert on turntables from Analogueworks and Palmer, and you'll see why we think this issue is rad! (JA's daughter says "Don't say that, Daddy.")
June 1 Marks Transition for Stereophile
James Dunning, Jr., Chairman and CEO of The">http://www.petersenco.com">The Petersen Companies, Inc., announced June 4th the completion of the acquisition of Stereophile and Stereophile Guide to Home Theater (two of this country's leading high-end audio and home theater publications), as well as HI-FI '98, The Home Theater & Specialty Audio Show.
June is Bustin' Out All Over
Okay, we had a Rodgers & Hammerstein moment, but it was John Atkinson's review of KEF's bad-ass, made-in-England Blade Two loudspeaker, featured on the June 2015 issue's cover, that got us excited. And Art Dudley was also excited by the sound of another English speaker in this issue, the BBC-heritaged Super HL5plus from Harbeth. But it is AD's advice on how to audition cables that might generate the most excitement...
Jupiter Communications Study Refutes RIAA's Claims
The Recording">http://www.riaa.com/">Recording Industry Association of America's lawsuit against Napsterhttp://www.napster.com/">Napster; may be an attack on one of its best friends, if results of a recent study by research organization Jupiter">http://www.jupiter.com/">Jupiter Communications can be believed.
Just How "Absolute" Is Recorded Sound?
John Atkinson at the 2012 Rocky Mountain Audio Fest
Since I gave this presentation at the Rocky Mountain Audio Fest in October 2012, based on one of the topics in my Richard C. Heyser Memorial Lecture and mentioned in my March 2013 "As We See It," I have repeated it at Music Matters evenings at Definitive Audio in Seattle and Listen-Up in Denver, and at audiophile society meetings in Minneapolis, California's Central Coast, and Connecticut. I will be repeating the presentation at a Music Matters event at Georgia retailer Audio Alternative, Wednesday April 24, at 6pm, at T.H.E. Show Newport Beach, at 12 noon, May 31, and at The Audiophile Society in Brooklyn, NY on June 22. Just Like the Good Old Days
The 10th annual The Home Entertainment Show (T.H.E. Show), which will run January 7–10, 2008, concurrent with the 2008 Consumer Electronics Show (CES), has expanded its exhibit space to include both the completely renovated Alexis Park Resort Hotel and its neighbor, the St. Tropez Hotel. By using both venues, T.H.E. Show, in effect, throws down the gauntlet to CES, which last year abandoned its traditional high-end audio home at the Alexis Park and moved High-Performance Audio to the Venetian Hotel.
Just What Is a Digital Loudspeaker?
This last year has seen several companies proclaim the launch of the "world's first digital loudspeaker." The term brings to mind some exotic new approach that is neither cone nor ribbon nor electrostat---something as different from all of those as, say, a CD is from a vinyl record or cassette tape.
Justice Department vs. Big Music
As reported last">http://www.stereophile.com/news/11171/">last week, the US Justice Department has launched an anti-trust investigation of the music industry's strategy for online distribution. The probe intensified during the fourth week of October, with investigators presenting at least 10 "civil investigation demands" (CIDs) to participants in the music industry's nascent Internet ventures, MusicNethttp://www.musicnet.com">MusicNet; and pressplayhttp://www.pressplay.com">pressplay;.
Justin Webber's Ampsandsound
Ampsandsound is perhaps best known for his amplifiers made to drive either headphones or loudspeakers. (See for example Herb Reichert's Gramophone Dreams #47.) At this show, however, Ampsandsound manufacturer/designer Justin Weber was showing his Arches monoblocks ($50,000/pair), which put out up to 65W each with KT-88 tubes or 85W each with KT-150 tubes.