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Just How "Absolute" Is Recorded Sound?

John Atkinson at the 2012 Rocky Mountain Audio Fest

Since I gave this presentation at the Rocky Mountain Audio Fest in October 2012, based on one of the topics in my Richard C. Heyser Memorial Lecture and mentioned in my March 2013 "As We See It," I have repeated it at Music Matters evenings at Definitive Audio in Seattle and Listen-Up in Denver, and at audiophile society meetings in Minneapolis, California's Central Coast, and Connecticut. I will be repeating the presentation at a Music Matters event at Georgia retailer Audio Alternative, Wednesday April 24, at 6pm, at T.H.E. Show Newport Beach, at 12 noon, May 31, and at The Audiophile Society in Brooklyn, NY on June 22.

Just Like the Good Old Days

The 10th annual The Home Entertainment Show (T.H.E. Show), which will run January 7–10, 2008, concurrent with the 2008 Consumer Electronics Show (CES), has expanded its exhibit space to include both the completely renovated Alexis Park Resort Hotel and its neighbor, the St. Tropez Hotel. By using both venues, T.H.E. Show, in effect, throws down the gauntlet to CES, which last year abandoned its traditional high-end audio home at the Alexis Park and moved High-Performance Audio to the Venetian Hotel.

Just What Is a Digital Loudspeaker?

This last year has seen several companies proclaim the launch of the "world's first digital loudspeaker." The term brings to mind some exotic new approach that is neither cone nor ribbon nor electrostat---something as different from all of those as, say, a CD is from a vinyl record or cassette tape.

Justice Department vs. Big Music

As reported last">http://www.stereophile.com/news/11171/">last week, the US Justice Department has launched an anti-trust investigation of the music industry's strategy for online distribution. The probe intensified during the fourth week of October, with investigators presenting at least 10 "civil investigation demands" (CIDs) to participants in the music industry's nascent Internet ventures, MusicNethttp://www.musicnet.com">MusicNet; and pressplayhttp://www.pressplay.com">pressplay;.

Justin Webber's Ampsandsound

Ampsandsound is perhaps best known for his amplifiers made to drive either headphones or loudspeakers. (See for example Herb Reichert's Gramophone Dreams #47.) At this show, however, Ampsandsound manufacturer/designer Justin Weber was showing his Arches monoblocks ($50,000/pair), which put out up to 65W each with KT-88 tubes or 85W each with KT-150 tubes.

Katli Audio pairs Usher's ML-801 loudspeaker with Conrad-Johnson, Cocktail Audio, and Esoteric gear

Katli Audio of Chino Hills, CA, the US importer of Usher Audio loudspeakers, paired Usher's ML-801 ($1l,950/pair in satin wood finish) with rarely-encountered-by-me Conrad-Johnson and other components. The ML-801 has a specified frequency range of 28Hz–38kHz, and a sensitivity of 87dB. A three-way, four driver design with two 8" carbon-fiber woofers, it uses a new 1.25" magnesium-alloy tweeter and magnesium-lithium alloy midrange unit.

Keeping New Orleans Musicians Alive

It's not just Katrina and Rita that have devastated the lives of musicians in the Gulf Coast area. The state of the economy, a decrease in services for the poor and marginally employed, the shorter attention span of those weaned on TV and computers, and an ever-increasing emphasis on image and effect over substance have all taken a huge toll on Gulf Coast musicians.

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