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Stereophile Staff  |  Mar 04, 2001  |  0 comments
Is there really a benefit to those pointy feet you have? Jonathan Scull has been surfing the Internet for cone-footer tweaks and theories and reveals his latest haul of hot finds in Fine Tunes #32.
Stereophile Staff  |  Sep 12, 1999  |  0 comments
Back in 1985, J. Gordon Holt wrote: "It seems, these days, that many of us audiophiles have become so preoccupied with the minutiae of sound reproduction that we haven't even noticed that it doesn't sound like music any more." He was talking about the obsession with soundstaging and detail at the expense of musical accuracy. In "Getting the Notes Right (Midrange Madness)," he renders his lesson in classic JGH style, observing that "I have played on this old saw in these pages for so many years that it has turned into a dead sawhorse, but somehow the message never seems to get through. There should be no harm done by beating it into the ground a little farther."
Stereophile Staff  |  Aug 18, 2002  |  0 comments
John Atkinson gets his hands on "the very strange-looking" MBL 111B loudspeaker to determine how "upper-frequency drive-units resembling an array of orange segments" could possibly sound. As JA discovers, thinking different can sometimes be a plus.
Stereophile Staff  |  Oct 20, 2003  |  0 comments
From the October issue, John Atkinson gets acquainted with the Morel Octwin 5.2M loudspeaker, noting, "Once you become accustomed to its admittedly weird looks, it is actually visually appealing and has a small footprint in the listening room." But there's something about the Morel's sound that causes JA to raise an eyebrow.
Stereophile Staff  |  Dec 27, 1998  |  0 comments
J. Gordon Holt, founder not only of Stereophile but also of high-end audio journalism as we know it, reveals all in a comprehensive interview with writer Steven Stone: 35 Years and Just Getting Started.
Stereophile Staff  |  Mar 17, 2002  |  0 comments
Michael Fremer gets a chorus of oohs and ahhs as he sets up the Hovland Sapphire power amplifier in his listening lair. While the Hovland is certainly a sweet-looking amp, MF rightly points out that "looks alone don't sell hi-fi equipment in the specialty audio market—especially when you're asking $7800 for a 40Wpc two-channel amplifier."
Stereophile Staff  |  Jun 10, 2001  |  0 comments
In his The Fifth Element #2, John Marks discusses in detail how to use common household items to render some audiophile magic. Marks explains, Aall you need is a very long piece of string, a tape measure, two bits of masking tape, a quantity of small self-adhesive removable note papers, and later, perhaps, a trip to the fabric store."
Stereophile Staff  |  Apr 30, 2000  |  0 comments
Jonathan Scull thinks he has uncoverd the hot audiophile topic for the new millennium—e-commerce. He lays out the situation in "Fine Tunes" #19. Find out what various manufacturers are up to, and why.
Stereophile Staff  |  May 07, 2000  |  0 comments
Bothered by bounce? Jonathan Scull offers some solutions for turntable owners with problem floors in "Fine Tunes" No.20. He also describes how impoverished audiophiles can make their own low-cost anti-vibration shelves. Stereophile readers respond with their own experiences—and a warning.
Stereophile Staff  |  Jul 01, 2001  |  0 comments
As John Atkinson puts it, Meridian usually does things "their way," putting amps and DACs inside of speakers in an all-out attempt at "re-creating the original soundfield, no matter how many speakers and channels it takes to do it right." But as Atkinson finds, the Meridian 518 Digital Audio Processor might be the company's most perverse product: "The $1650 518 offers digital inputs and outputs only. It can digitally perform gain and source selection; it can change data with one digital word length to data with another; and it does all these things with 72-bit internal precision." So JA asks, "How does the 518 fit within a conventional high-end audio system?" Read along as he figures it all out.
Stereophile Staff  |  Dec 17, 2000  |  0 comments
Record 10 CDs worth of music in one weekend? John Atkinson writes: "I blanched. This was an enormous task: 32 sonatas; 103 individual movements; more than 11 hours of music—11 hours, 26 minutes, and 25 seconds, as it turned out." How to record Canadian pianist Robert Silverman performing Ludwig van Beethoven's 32 Piano Sonatas in such a short time? JA explains the revolutionary process in detail.
Stereophile Staff  |  Jan 19, 2004  |  0 comments
From the January 2004 issue, Robert J. Reina surveys the Epos ELS-3 loudspeaker, reporting at the outset, "I have not been this excited about an entry-level speaker in years." BJR explains, "In three areas, it exceeded in performance what I've heard from its competition."
Stereophile Staff  |  Jun 13, 1999  |  0 comments
Writer Robert Deutsch takes an in-depth look at the Hales Design Group Revelation Three loudspeaker in an attempt to determine whether the product lives up to its name. He also checks into the manufacturer's claim that "what we made will forever change the world of dynamic loudspeakers . . . an instant classic, a benchmark against which others of its type are measured."
Stereophile Staff  |  Jan 05, 2004  |  0 comments
As Paul Messenger states in his 2000 review of the Linn Arkiv B phono cartridge, "This Stereophile review is long overdue. Furthermore, this review addresses a complaint often directed against reviews and reviewers: that we rarely spend enough time with a component to gain a properly balanced, long-term perspective."
Stereophile Staff  |  Dec 09, 2001  |  0 comments
For the tenth consecutive year, Stereophile writers and editors ferret out those components that have proved capable of giving musical pleasure beyond the formal review period and have wrapped them all up as The 2001 Products of the Year. The envelope please.

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