Turntable Reviews

You may be moving to Montana. Acoustic Signature is not an overnight sensation, nor are its turntables driven by dental floss. If you're not a Frank Zappa fan, you probably have no idea what any of that means, so please Google it. I'll wait till you get back.

In a bizarre but happy turn of events, recent consumer trends have given even the most socially awkward audiophile something to talk about at cocktail parties and family gatherings at which normal people predominate: the PonoPlayer and vinyl. These are hot topics; each is among the best-sounding music sources available, and both offer hope for our hobby, if not for music lovers in general. But vinyl has the advantage of appealing to a much wider range of budgets. LPs can be had from anywhere to "We'll pay you to haul these away" to "Your loan officer is on line one." Likewise, vinyl playback hardware is available in virtually every price range, from a second-hand Dual 1229 ($50 and up) to the highly praised Continuum Audio Labs Caliburn ($200,000 and down).

Three decades ago, I had a boss who insisted I drive a Mercedes-Benz as a company car. Tough gig, you might be thinking, but there was solid reasoning behind this extravagance: He wanted the people representing his company to look successful, so it was three-pointed star cars for all, at a time when a Mercedes was more exclusive than it is today.

Dr. Feickert Analogue's top-of-the line turntable, the Firebird ($12,500), is a generously sized record player designed to easily accommodate two 12" tonearms. Its three brushless, three-phase DC motors, arranged around the platter in an equilateral triangle, are connected to a proprietary controller in a phase-locked loop (PLL); according to the Firebird's designer, Dr. Christian Feickert, a reference signal from just one of the motors drives all three—thus one motor is the master while the other two are slaves. (Man, today that is politically incorrect, however descriptively accurate.)

The late Jonathan Tinn of Blue Light Audio, importer of darTZeel electronics and a partner in Playback Designs with DSD expert Andreas Koch, loved vinyl. He approached Wave Kinetics' Matt Schuster and proposed that they together produce a turntable. Matt Schuster came up with the Wave Kinetics NVS Reference turntable ($45,000).

In vinyl's heyday, Roy Matthews ran EMI's record-pressing plant in Hayes, Middlesex, in the UK. He even had a hand in designing and building new presses for the company. But when EMI shut down their plant and scrapped most of their presses, Matthews retired. I thought of Matthews when, at the 2013 CES, I spoke with the chief designer of TechDAS's Air Force One turntable, Hideaki Nishikawa.

There are incredible values in audio, and then there are incredible values. The ones that deserve italics are those like Pioneer's SP-FS52 floorstanding speaker, designed by TAD's Andrew Jones and recently reviewed.