The Beatles: The Beatles—50th Anniversary Edition
Apple B0028831-01 (2 LPs). 1968/2018. George Martin, orig. prod.; Geoff Emerick, orig. eng.; Giles Martin, reissue prod., remix; Sam Okell, reissue eng., remix; Miles Showell, mastering. ADA. TT: 93:27
Performance *****
Sonics *****

The Beatles, aka the "White Album," was first released on November 22, 1968. On November 9, 2018, in honor of that event, Apple Corps Limited issued the new 50th Anniversary Edition. My comments here refer to listening to the two-LP edition of the newly remixed The Beatles, pressed for Apple by Quality Record Pressings. Also included in three other varying editions are 27 of what are now known as the Esher Demos, 50 out-takes and alternate takes, and a 5.1-channel hi-rez surround mix on BD.

It happened 30 years ago, but I remember it as if it were yesterday: My best friend's brother's friend showed me his record player—an AR turntable equipped with an SME 3009 Mk.III tonearm and a Shure V15 Type V-MR cartridge—and offered to sell it to me at a price that, until that moment, I would never have considered spending for a complete system. "It's audiophile gear," he said with a knowing smile.

Audiophile? The word sounded exotic—and grown-up.

Hitting newsstands, mailboxes, and tablets today, the February Stereophile features its renowned "Records2Die4" feature, now in its 28th year! The magazine's editors and writers each recommend two recordings that they couldn't live without—the 46 albums reviewed this month would be the basis of a great audiophile music collection. Ayre's EX-8 "Integrated Hub" amplifier is featured on the cover and also reviewed in this issue are speakers from Revel and Audio Physic; amplifiers from Air Tight, CH Precision, and First Watt; and tonearms from Swedish Analog Technologies and Sorane. And don't miss Herb Reichert's account of his visit last fall to amplifier maven Nelson Pass.

By Day Three of four-day CES 2019, reality had set in for most of the few high-end audio exhibitors who set up shop in the Venetian: the curtain has closed on CES as "the place" for high-end audio product introductions and business transactions. Several of the smaller companies I spoke with were already done with waxing nostalgic on the glory days of CES—an era when there were so many distributors, dealers, and journalists clogging the hallways and rooms that some exhibitors had to either close up shop at the factory or recruit extra help to cater to everyone. After wiping tears from their eyes, they had decided to move on.

Besides the appearance there of many new components capable of MQA decoding and rendering, CES provided an opportunity to unveil two important MQA developments…

A few surprises and delights still awaited on Wednesday afternoon, January 9. That was when I began to realize: save for Harman International's off-site exhibit at Hard Rock Café and two products I encountered on January 10, I would have plenty of time to write blogs and pack on my final day in Vegas.

Of all the systems I auditioned at this year's CES, Nagra's was the unquestionable standout. Its sound was full-range and transparent, with brilliant and glistening highs, a totally realistic midrange, astounding low bass reach, and an ability to flesh out complex overtones and undertones without distortion. Had this thoroughly musical system been placed in a much larger room at AXPONA or the Rocky Mountain Audio Fest, perhaps even with one of Wilson's larger speakers in place of the excellent new Wilson Audio Sasha DAW seen here ($37,900/pair), it could easily have topped many of the other big rigs that I've raved about in the past.

One of several small, wireless speakers unveiled at the Venetian Hotel, Audioengine's A2+ ($269/pair), with built-in DAC and aptX Bluetooth, is manufactured in China, and scheduled to ship at the end of January. I didn't get a chance to hear the A2+, but our niece, who has the wired version, raves about its sound with her Mac laptop.