It’s easy to get lost at this hi-fi party.

I had woken up not long before, fallen out of bed, and descended the hotel stairs to the Atrium—to the sight of what appeared to be many tens of thousands of vinyl records. I had dragged myself away and met Herb Reichert for breakfast, where we made plans for Stereophile’s coverage of Capital AudioFest 2019. But the vinyl kept drawing me back.

I have been beating the headphone drum at Stereophile since I started in 2014. By 2016, when I reviewed Linear Tube Audio’s inaugural product, the microZOTL2.0 line-stage/headphone amplifier, I was falling asleep with AKG K812s on my head. (Now I’m falling asleep with HiFiMan Susvara and RAAL-requisite SR1a ribbon headphones.) To me, headphone listening is the gateway to audio’s newest wonderland.

Why?

That's the question that many will ask about the new Grand Prix Monza equipment rack, prices for which start at $19,000 for a four-tier, 42"-tall rack and can even stretch to $29,500 for my review sample, which comprises a double-width, fourtier, 42"-tall rack (two side-by-side stacks of four shelves each) with two matching Monza amp stands. Why spend all that money when a solid oak table, built-in shelving, or Great Aunt Tillie's antique cabinet might do the trick?

It was 77 degrees on October 31 and the weather on the drive down reminded me of an amplifier I once owned: dark, gray, and dry. The weather app on my phone said there were tornado warnings for the Washington, DC, area, but that could not diminish my excitement about going to Capital Audiofest at the Hilton Hotel in Rockville Maryland.