Analog Corner #286: StillPoints Aperture II, VPI Voyager, Bespoke Passive Preamplifier

Analog Corner #286: StillPoints Aperture II, VPI Voyager, Bespoke Passive Preamplifier

VPI Industries Voyager phono preamplifier
Following my auditioning of Channel D's Lino 2C current-mode phono preamplifier, back in the world of voltage amplification, here's another phono preamp from another company based, like Channel D, in New Jersey. Probably not since Dynaco manufactured its electronics in Pennsauken has the Garden State enjoyed such riches of analog electronics!

"Listening": a Video Tribute to Art Dudley

"Listening": a Video Tribute to Art Dudley

Listening, an extraordinary video tribute to the late writer Art Dudley's taste, vision, and devotion to music, premiers this month on Stereophile's YouTube channel. The video follows the unusual path of Art's beloved Altec Lansing Flamenco loudspeakers from their home in Upstate New York to their current residence, the listening room of deaf audiophile Bob Lichtenberg in Port Orchard, Washington.

Why John Atkinson Believes Measurements Matter

Why John Atkinson Believes Measurements Matter

Back in 2013, I took the train to Stamford to give a presentation to the Connecticut Audio Society to help celebrate their 30th anniversary. On March 6 I returned to the CAS, but this time via Zoom. I talked about a subject close to my heart: measurements and their connections with accuracy and/or musical enjoyment. The video is now posted to the CAS YouTube channel—it runs for 2+ hours but I think Stereophile readers will find what I had to say stimulating, perhaps even sometimes controversial.

My presentation takes up the first 21 minutes and is followed by a Q&A with the CAS members. (Great questions, guys!) At 1:18:00 I give a tour of my listening room, where two of my cats decide to make a cameo appearance.

The Reservoir Story

The Reservoir Story

Full Disclosure: All jazz writers fantasize about owning a jazz label. These fantasies persist even in our post-CD, download era, when the record industry as we knew it has been laid to waste. It is reasonable to speculate that, as a reader of this magazine and therefore a music junkie, you may have had an entrepreneurial record label fantasy or two of your own. For us, it should be interesting to hear from Mark Feldman, because he actually did it. In fact, he did it twice.
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