Throughout 2006 and much of 2007, we got the feeling at Stereophile that most audiophiles were scoffing at the idea of a music server in their system.

I think it's now official: moving the high-performance audio exhibits last year from the Alexis Park to the Venetian has been a complete success. The sound in the tower rooms has been excellent, and exhibitors seem to be finding ways to tame the more problematic acoustics of the large conference rooms on the third floor. And whenever you wanted to take a break, you were only a few steps away from the fake-but-surprisingly-convincing ambience of St. Mark's Square, where it's always early evening, and you don't need an excuse to have some gelato. Ciao!

Immedia's Allen Perkins was running not one, but two Spiral Groove turntables. He was running the original SG1 ($20,000) with Continuum's new Copperhead tonearm ($12,000), but he was also debuting his new SG2 ($15,000) with a Triplanar Ultimate tonearm ($4200).

I was rocking out in the DeVore Fidelity/Tone Imports room, listening to Polly Jean Harvey. In the midst of the hurly-burly of CES, I was feeling no pain. "I love the way you guys decided to set your Silver Diamondback References up assymetrically," I told JDV.

"The Sonics by Joachim Gerhard Amerigo loudspeakers ($5500/pair) are the first speakers Joachim has ever designed specifically for the American market," said Immedia's Allen Perkins. "I designed the cabinet dimensions and suggested we use an American veneer like Zebrawood or Bird's-Eye maple, then Joachim developed drivers and a crossover network. Funny thing, he said it had the lowest distortion he'd ever measured."

Stephen Mejias and I trekked out to GamuT/Scandinavian Audio Research (ScAR) house on our travel day after the show closed. We sat down and talked to Lars Goller, formerly drive-unit designer at Vifa/ScanSpeak and chief designer at GamuT and ScAR (OEM drivers).

For <I>Stereophile</I> writers, the focus of interest at CES are the exhibits featuring high-performance audio (mostly in the Venetian). That's certainly true for me, but I have to admit to being intrigued by the many sorts of electronic gadgets and gizmos that are shown in the main exhibit halls of the Las Vegas Convention Center and the Sands Expo, so my visit to CES always excludes a brief tour of these venues. And, sometimes, in my wanderings through these halls I even find a product that is interest to audiophiles as well as gadget freaks. I found one such product at the Sands Expo: the Zoom H2 portable audio recorder.

The <A HREF="http://www.stereophile.com/thefifthelement/886">Benchmark DAC1</A> D/A headphone amplifier has long been our affordable digital recommendation, both in its original form ($975) or with an additional USB data input ($1275, reviewed in the January issue of <I>Stereophile</I>). The DAC1 looked a little different when I went into the Benchmark room at the THE Show; "That's because you're looking at the new DAC1 PRE," explained Rory Rall. The NY company has added a pair of single-ended analog inputs so that the DAC1 can act as the system preamp. It still has digital inputs, of course, though the AES/EBU XLR had to be omitted to make the rear-panel real estate available for the analog inputs. A switch scrolls between the four digital inputs, the USB computer input, and the analog input. The DAC1 PRE is expected to begin shipping in February 2008 and will retail for $1575.