Editor's Introduction: In 2013, lossy compression is everywhere—without lossy codecs like MP3, Dolby Digital, DTS, A2DP, AAC, apt-X, and Ogg Vorbis, there would be no Web audio services like Spotify or Pandora, no multichannel soundtracks on DVD, no Bluetooth audio, no DAB and HDradio, no Sirius/XM, and no iTunes, to quote the commercial successes and no Napster, MiniDisc, or DCC, to quote the failures. Despite their potential for damage to the music, the convenience and sometimes drastic reduction in audio file size have made lossy codecs ubiquitous in the 21st century. Stereophile covered the development of lossy compression; following is an article from more than two decades ago warning of the sonic dangers.—Editor

Nick L. visits the Stereophile New York City office to pick up his brand new Audiofly AF78 in-ear monitors ($200) he won in the Audiofly headphone sweepstakes this summer. His comments throughout the years as Volvic here at Stereophile.com have detailed his love for Simaudio and YBA gear, analog playback, and taking care of his family. Now Stereophile is showing him some love back. Nick was just one of four winners for this sweeps.

In more than 37 years of working at audio magazines, I have never reviewed an Electrocompaniet product. With this review of the company's ECD 2 digital/analog processor, which costs a dollar short of $3100, that streak of inattention has come to an end.